Antonia Bird’s Priest and my early days as a film critic

Antonia Bird passed away yesterday at the age of 54.

I don’t know how many film buffs out there will recognize her name. The IMDb indicates that she had been working pretty steadily since 1985, but mostly in TV; her feature-film output was limited to four films she directed in the 1990s, and of those, I have only seen two: Priest (1994) and Ravenous (1999).

But Priest looms large in my mind as a film that I got to review at a particular crucial juncture in my life — and so, although my review is fairly critical of the film, I have posted it here in memory of its director.

A bit of background, if I may: In the summer of 1992, I had begun to contribute film reviews on a regular basis to the paper that became known as BC Christian News. Around that same time, I had also begun to seriously re-examine my beliefs about, well, just about everything — starting with sexuality, thanks to a special issue of Discover magazine that kind of blew my mind.

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