Our first look at the cast for The Bible follow-up series A.D.

ad-jesusAt last, we know who some (but not all) of the actors will be in A.D., the NBC series that Mark Burnett and Roma Downey are producing as a follow-up to their hit miniseries The Bible.

First, People reveals that Jesus will be played by Argentinian actor Juan Pablo di Pace, and, just as Diogo Morgado’s Jesus in The Bible quickly earned the nickname “Hot Jesus”, so too People notes that di Pace is “easy-on-the-eyes”.

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The latest attempt to film all four gospels word-for-word

Every now and then, someone embarks on a quixotic quest to film the entire Bible, word for word. In the 1970s, the Genesis Project got as far as filming the books of Genesis and Luke, the latter of which was condensed into the Jesus film that is now distributed by Campus Crusade. More recently, there was the Visual Bible, which produced adaptations of Matthew and Acts in the 1990s and then, after a change of ownership, an adaptation of The Gospel of John in 2003.

Yesterday I came across what seems like a more modest project: an attempt to film all four gospels under the collective title the Lumo Project.

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The naked Christ in film: birth, death and resurrection

“The Word became flesh,” according to John 1:14, but that flesh has been hidden, for the most part, in movie portrayals of Jesus. At certain key points in his life, history and even tradition would dictate that Jesus ought to be depicted nude — and there are good theological reasons for doing so. But films have tended to shy away from nudity in their own portrayals of those parts of the Jesus story.

There are some obvious reasons for this reticence, of course, starting with the fact that film, for much of its history, has been forced to skirt around images of nudity in general, and images of male nudity in particular. Plus, when a film does show someone’s nudity, it does not merely show you the character’s nudity; it shows you the actor’s nudity, as well, and the knowledge that you are seeing an actor’s naked body can sometimes distract you from the character. This is especially true when the character is meant to be an embodiment of divinity like Jesus.

There have been at least three significant exceptions, though — three films that each depict the nudity of Jesus at a different key point in his story.

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The Bible: final episode, first impressions

And so it ends. Here are my first impressions of the final episode of The Bible, which aired last night.

Continuity between Bible stories, redux. Once again, I am impressed by the fact that this adaptation-of-the-whole-Bible approach — whatever its limitations — has allowed the filmmakers to emphasize the continuity between Bible stories in a way that you rarely see in other films.

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The Bible: third episode, first impressions

Three down, two to go! Here are my first impressions of the third episode of The Bible, which ended the Old Testament section of the mini-series and began the New Testament section.

Continuity between Bible stories, redux. For all my grumbling about the series to date, there is one thing about it that I have always appreciated, and that is the way it links the various Bible stories, whether by having characters in one story recall what their ancestors did in another, or by having the angels appear in multiple stories wearing the exact same clothes, etc. And the first half of this episode is seriously impressive on that level.

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Putting a bit of the New Testament into the Old

I just came across a few more videos from The Bible, the mini-series that premieres on the History Channel next month.

In one, the actress who plays Samson’s mother describes her character as “a woman who’s been given a gift from God of a very special child who’s predestined to do very special things, and I guess that’s a little connection to another story that we all know very well.” She goes on to say, “I guess I found it difficult to embody a character who knows that her child is going to die.”

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