The thematic and visual links between Noah and Darren Aronofsky’s earlier films: a gallery

vlcsnap-2014-10-03-16h13m51s23The six films made by Darren Aronofsky to date all tackle different genres and subjects, but they also have some striking things in common.

For one thing, they have generally been made by the same creative team, including composer Clint Mansell (who has scored all six of Aronofsky’s films), cinematographer Matthew Libatique (who has shot all of Aronofsky’s films except for The Wrestler) and a number of recurring actors (such as Jennifer Connelly, Ellen Burstyn and especially Mark Margolis).

But the films also have some thematic overlaps. As I mentioned in my review of Noah for Books & Culture, Aronofsky films often dwell on the notion that it is impossible to touch perfection and survive. They also tend to revolve around characters who are obsessed with something, often to the characters’ detriment. And more often than not, they tend to make references to the Bible, some more pronounced than others.

And that brings us to Noah. When the film came out, a number of critics (such as The Playlist’s Drew Taylor) noted that the film had some striking parallels with The Fountain in particular. But it actually harks back — visually and thematically — to pretty much all of Aronofsky’s earlier films to one degree or another.

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Noah video round-up: a deleted clip, some new soundbites, and a “weather readiness” promo

vlcsnap-2014-08-08-10h01m27s29And the videos keep on coming!

Three weeks ago, five excerpts from the bonus features for Noah were released online, to coincide with the film’s release to Digital HD. The Blu-Ray itself came out last week, and with it, a few new videos.

Check ’em all out below the jump.

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Noah on Blu-Ray: some quick notes on the bonus features

noah-target-aThe Noah Blu-Ray is here — and with it, a bunch of behind-the-scenes stuff that we have never seen before. Here are some quick notes on the bonus features.

First, a reminder that different editions of the film come with different bonus features.

As far as I know, seven bonus features have been released one way or another so far, and all of them are available on the “exclusive” Target edition of the Blu-Ray. (The bilingual packaging on the disc I bought here in Canada listed only six bonus features, but the actual disc had all seven.) But only three of them are available on the Blu-Ray that is available everywhere else.

Also, three bonus features are apparently included if you purchase the film directly from iTunes (if you use iTunes to get the free “digital copy” that comes with your disc, you won’t get any bonus features, just the film), but one of the iTunes bonus features is actually from the Target disc and not from the regular Blu-Ray.

Confused yet? I’ll try to sort it all out below.

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On asking questions, not assuming answers, about Noah

Brian Godawa has now updated his post on the Noah serpent — twice! — in response to posts of mine in which I debunked the claim that Noah is Gnostic and tried to untangle just what the snakeskin represents, both in Judaism and within the film specifically.

Brian’s a good guy, and he’s done a lot of research into the Noah story, and I have found his posts on that subject very informative. But when it comes to his analysis of Darren Aronofsky’s film, it seems to me that he has certain blind spots, or that he insists too strongly on filtering his experience of the film through a certain worldview without fully engaging with the film on its own terms.

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Noah interview round-up: co-writer Ari Handel

Two weeks ago, I posted a collection of interviews with Noah director Darren Aronofsky, and I have updated that post with new interview clips ever since. But in the meantime — especially as Aronofsky has gone overseas to promote the film — there have also been a number of interviews with his co-writer Ari Handel. So I figured I should start a post to collect those, too.

I interviewed Aronofsky and Handel together myself back in February, and I linked to a more recent interview with Handel in my post on the infamous snakeskin.

Handel was also featured prominently in a “faith leaders” video that I posted a couple weeks ago, and I have previously linked to interviews that he has done with Hollywood Jesus and Hugh Hewitt. See also the interviews that Handel and Aronofsky did together to promote the Noah graphic novel here, here and here.

And now for the new stuff. [Read more...]

Second impressions: Noah (dir. Darren Aronofsky, 2014)

The first time I saw Darren Aronofsky’s Noah, I took six pages of notes, and I watched it with the memory of an early draft of the screenplay lingering in my brain. So I was distracted on at least two levels: by a need to jot down as many quotes and facts as I could, and by an awareness of how the script had evolved. Never mind people who obsess over how the film may or may not have deviated from Genesis; I kept thinking of how the film was deviating from that early script!

Needless to say, I don’t normally take that kind of background knowledge to the theatre when I go to see a movie, and I knew it wouldn’t be fair to Noah to hold that knowledge against it either. I also knew I needed to just sit back and watch the movie like a proper movie, to bask in the drama and let it unfold.

And so, on Wednesday morning, I saw the film a second time. And I can think of no better way to sum up the difference between my two viewings of the film than to say that I didn’t cry at all the first time I saw Noah, but I shed tears on a few separate occasions the second time I saw it. It’s a powerful, powerful film.

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