Star Trek into Darkness — first impressions (spoilers!)

This post has taken a lot longer to write than I expected. I saw Star Trek into Darkness on Wednesday night (the studio, in its wisdom, decided to hold this film back from most critics until the last possible second) and began writing this post on Thursday morning, but life got in the way and I couldn’t finish it all in one sitting — and then, whenever I came back to this post, I found that I had more things to say, or different ways of saying what I had already said, and so on, and so on. But here we are now, on Monday, and the film has finished its first weekend in North America (where it slightly underperformed at the box office), and I am finally going to force myself to finish this thing.

So. Here’s the thing about the J.J. Abrams Star Trek movies: He throws so many things at you, so quickly, that you cannot help but miss some details that are actually fairly important, at least on first viewing.

For example, it wasn’t until the second time that I saw his 2009 “reboot” of Star Trek that I realized virtually all of Kirk’s fellow Starfleet cadets had been killed by Nero, except for the ones who were on Kirk’s ship. As you may recall, Starfleet gets a distress call from Vulcan while Kirk is in the middle of being reprimanded by Starfleet authorities — and the disciplinary hearing is put on hold so that all of the recent graduates can board their ships and fly to Vulcan. When all of the ships go to warp speed, the Enterprise accidentally stays behind, because of an error on Sulu’s part — and when the Enterprise finally gets to Vulcan, it finds nothing but a debris field orbiting the planet. Which, when you think about it, means that everyone on all those other ships — including the green alien roommate of Uhura’s that Kirk slept with — is dead, dead, dead. But by that point, the film has forgotten them and moved on to other things; and then, at the film’s conclusion, everyone at Starfleet Academy cheers when Kirk is promoted to captain. Do they make at least a token nod to the fact that they just lost dozens, if not hundreds, of their classmates? Nope.

So, take anything I say in this post with a grain of salt. I have only seen the new film once, and I may have missed all sorts of stuff that won’t register until a second viewing. (One e-pal has already informed me that the movie refers to an incident from the comic-book prequel Countdown to Darkness, but I completely missed that reference as I was watching the film. And I’ve actually read that comic!)

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Review: Star Trek (dir. J.J. Abrams, 2009)

The trailers say this isn’t your father’s Star Trek, but they could just as easily have said this isn’t your grandfather’s Star Trek. The series really is that old: it has been 45 years since Gene Roddenberry produced the first of two pilot episodes for the original TV show, and as James Bond could tell you, that’s a long time to let a franchise run without taking things back to square one and giving yourself a fresh start. So now, here comes the reboot: directed by J.J. Abrams (producer of Lost and Cloverfield) from a script by Roberto Orci and Alex Kurtzman (the Transformers movies), the new Star Trek is a hotter, sexier, flashier, more youth-oriented version of the sci-fi series than we have ever seen before. But it doesn’t completely sever its ties with the original series — indeed, it puts those ties front-and-centre — and the result is a movie that may leave Trek fans feeling deeply ambivalent.

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Star Trek: Generations: the two-disc DVD

I said something earlier about ST5:TFF being a wasted opportunity. Star Trek: Generations (hereafter known as ST:G) was an even bigger opportunity, and thus, as it turned out, may have been an even bigger waste. It has been ten years — an entire decade — since Captain James T. Kirk bit the dust, and until I watched the “collector’s edition” DVD today, I don’t believe I had seen the film at all since the three times I caught it in the theatre back then; indeed, you could say I still haven’t seen it again, since I watched it with both the audio and text commentaries turned on, and thus wasn’t really paying attention to the dialogue, etc. But even with those bonus-feature distractions — and indeed, partly because of them, since the voices on the commentary express many gripes with the finished product! — it is still evident to me that ST:G was a clumsily made film, and a rather pathetic note on which to really, really, really end the original series.

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