The Bible / What works and what doesn’t in the ambitious mini-series

It’s common these days for each new episode of a TV series to begin with a montage that sums up all the relevant plot points from previous episodes. So it was only natural that, when the History Channel aired its five-part mini-series The Bible over the month of March, all but one of the episodes began with narrator Keith David intoning, in his deep baritone voice, “Previously, on The Bible…”

All of the show’s strengths and weaknesses are captured in that one phrase. Produced by Mark Burnett (a TV mogul best known for unscripted “reality” shows like Survivor and The Apprentice) and his wife Roma Downey (who once starred in Touched by an Angel), the mini-series rushes through the whole Bible, from Genesis to Revelation, in ten hours — though it’s more like seven, once you bracket off the commercial breaks — and it zips through the stories so quickly that you barely notice when they are compressed even further in those opening sequences. But the mini-series also makes a point of emphasizing the continuity between Bible stories in a way that is quite rare among Bible films, and in a way that sometimes allows individual stories to shed light profitably on others.

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The Bible: fourth episode, first impressions

Alas, there was no Transfiguration in this episode. But there was quite a bit of other stuff that I found interesting, for better and for worse, so here again, as before, are my first impressions.

The pacing, redux. It says something about this show that, when it finally devotes an entire two-hour episode to a single protagonist, it still feels kind of rushed, like it’s over far too quickly and we haven’t had a chance to really get to know anyone.

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