Synopsis. The sons of Jacob embark on their journey to Egypt, leaving their wives, children, and their brother Benjamin behind with their father. They are also accompanied by some Canaanites. Joseph visits some of the land that has fallen into the Egyptian government’s possession and tells Malek they should divide it among farmers who don’t have any land. The brothers arrive in Egypt and try to buy grain. Joseph is alerted to their presence, and he has them ushered into the palace — much to the chagrin of Horemheb, who doesn’t like seeing these lowly shepherds there — but Joseph does not meet the brothers in person. Joseph tells his wife Asenath that his brothers deserve punishment but he forgave them long ago. Zuleikha, at home with her dilapidated idols, prays to Joseph’s God and asks if God will listen to her.
Nine years after Evan Almighty and two years after Darren Aronofsky’s Noah, the steady stream of Noah-themed projects shows no sign of abating. There was the South African musical Unogumbe in 2013 and the BBC TV-movie The Ark in 2015, and now the NBC network is planning a show that would set the Noah story… in space!
The Young Messiah: a scene guide (w/ clips and references to the scriptures, the apocryphal texts, and the novel)
Last month I wrote up a scene guide for Risen, noting which scriptures different parts of the movie were based on. Now it’s The Young Messiah’s turn — and this time, matters are complicated by the fact that the film is based not directly on the Bible, but on Anne Rice’s novel Christ the Lord: Out of Egypt, which in turn makes use of Old and New Testament apocrypha in addition to the scriptures.
My friend Matt Page is starting a series of posts over at the Bible Films Blog on the question of canonicity and Bible films. Among other things, he asks: Is there a “canon” of Bible films, independent of the biblical canon itself? And is there a reason why certain biblical stories get filmed again and again while others go ignored?