A brief comment on the Exodus: Gods and Kings casting controversy

exodus-yahoo-3Three months ago, Ridley Scott noted that the actors he hired for Exodus: Gods and Kings represent a range of different ethnicities, and hardly anyone noticed. Last week, he made an off-the-cuff remark about how he couldn’t cast some obscure Middle Eastern actor as the lead in a massively expensive movie such as this, and the internet went berserk.

Scott’s comment was quickly assumed by many people to mean that he was justifying hiring an “all-white” cast. Many people claimed, dubiously, that it would be more historically accurate if the villainous Egyptian slave masters, many of whom are killed by an act of God at the Red Sea, were played by black actors instead. (Just think what sort of controversies there would be if the film had gone that route.)

The Week’s Jonathan Merritt even went so far as to say today that no Bible movie — not even The Nativity Story, which cast a Maori girl as the Virgin Mary, a Palestinian as her mother and Iranians as her father and her cousin Elizabeth — has made any progress when it comes to “sensitivity to ethnicity”. Apparently the fact that Keisha Castle-Hughes was born in Australia disqualifies that film somehow. Seriously?

[Read more...]

Review: The Nativity Story (dir. Catherine Hardwicke, 2006)

The Passion of The Christ was an independent movie, paid for entirely out of Mel Gibson’s pocket. The Prince of Egypt was an animated film that emphasized the common ground between Jews, Christians and Muslims. The Last Temptation of Christ was a low-budget art-house flick based on a heretical novel.

You would have to go back at least as far as King David, the mid-1980s box-office flop starring Richard Gere, to find another live-action movie produced by a major Hollywood studio and based directly on the Bible. And you would have to go back even further — to the bathrobe epics of the 1960s, at least — to find a mainstream biblical movie that was as blatantly Christian as The Nativity Story.

[Read more...]

Filmmakers seek to inspire audiences with The Nativity Story

LOS ANGELES, CA — It has been nearly three years since The Passion of the Christ proved there was an audience for biblical movies with a strong Christian theme. Now, Hollywood is finally beginning to catch up — and what better way to follow a film about the death of Jesus than to make a film about his birth?

The Nativity Story, which comes to theatres December 1, is directed by Catherine Hardwicke, a former production designer who made her directorial debut three years ago on Thirteen, an Oscar-nominated, R-rated film about the troubled relationship between a teenaged girl and her single mother. Hardwicke followed this with Lords of Dogtown, a dynamic look at several legendary skateboarders in the 1970s.

Sex, drugs, and rock’n’roll were all prominent features of Hardwicke’s first two films, so it might seem like a stretch that she would then go on to tackle a rather pious account of the virginal conception of Christ. But the film does star 16-year-old New Zealander Keisha Castle-Hughes, who became the youngest best-actress Oscar nominee in history two years ago for her performance in Whale Rider; and Hardwicke says the new film actually fits quite nicely with her previous youth-oriented movies.

[Read more...]


CLOSE | X

HIDE | X