I honestly have no idea how closely I’ll be following this film, but: Just for the record, yesterday we finally got a trailer for Gods of Egypt, the big-budgeted mythological action movie that is coming out just a little over three months from now.
My article on the Bible-movie revival is now up at the Christianity Today website; it will also be in the print edition of the magazine. The article looks at the fitful attempts made by the studios to cash in on the success of The Passion of the Christ since it came out a decade ago, it looks at the three Bible movies coming out this year — Son of God, Noah and Exodus: Gods and Kings — and it looks at what might be next if Noah and Exodus are big-enough hits. It also includes soundbites from publicist Jonathan Bock, director Darren Aronofsky (Noah) and screenwriters Stuart Hazeldine (Paradise Lost, Gods and Kings) and Barbara Nicolosi (Mary).
The genre – which was very popular in the silent era and then, again, during the post-war boom of the 1950s and early 1960s – never went away entirely. Low-budget films like The Last Temptation of Christ and The Passion of the Christ have offered radically different, even opposite, interpretations of the life and death of Jesus. And there has been a steady stream of Bible films on television going back to at least the 1970s.
But when Paramount Pictures releases Noah – starring Russell Crowe and rumoured to have cost over $125 million – in March, it will mark the first time that a big-budget live-action Bible epic has been made for the big screen since Richard Gere starred in King David back in 1985. (The Prince of Egypt, released in 1998, was also a major Hollywood production, but it was an animated film, and so arguably doesn’t quite belong in the same category.)
The story begins with a girl hiding in a wardrobe. It continues with a series of adventures in which the girl passes through gateways into other worlds, meeting witches, figures from ancient mythology, and talking animals along the way. Ultimately, it takes her into the afterlife and to an apocalyptic battle between supernatural powers.
Philip Pullman’s trilogy, His Dark Materials, has some striking parallels to C.S. Lewis’s The Chronicles of Narnia. Between protective beasts, snowy landscapes, and references to a prophecy only the girl may be able to fulfill, the ads for The Golden Compass — the first installment of Pullman’s series coming to the big screen on December 7 — look made to attract fans of The Lion, The Witch and The Wardrobe. New Line Cinema has also gone out of its way to link the new film to J.R.R. Tolkien’s The Lord of the Rings, which the studio also adapted.