The last few years have been kind of dispiriting for old-time Pixar fans (i.e. people like me who remember seeing Tin Toy at animation festivals before it became the first computer-animated film to win the Oscar for best animated short).
Review: Inside Out (dir. Pete Docter, 2015) marks a return to form — and formula — for sequel-driven Pixar
It is extremely rare for a film to win Best Picture without also being nominated for its director, its film editing, and its screenplay. So it looks like this year’s top Oscar will go to either the frivolous but entertaining American Hustle, which scored 10 nominations altogether, or the serious and historically significant 12 Years a Slave, which scored nine.
Between American Hustle and last year’s The Silver Linings Playbook, director David O. Russell has pulled off the neat trick of getting nominations in all four acting categories for two years in a row. This had happened only 13 times prior to Russell’s films, and while no film has ever won all four acting categories, all but two of the 14 films so nominated in the past have won at least one of the acting awards (the sole exceptions being 1936’s My Man Godfrey and 1950’s Sunset Boulevard).
It has been nearly three years since Disney and Pixar settled their differences, leading one company to buy the other. But while Disney technically owns the Pixar label now, the minds that created Pixar in the first place have been calling the shots at Disney Animation ever since the merger — and the first significant result of their efforts is Bolt, a cartoon that could perhaps be best described as “Pixar Lite.”