The Bible and Son of God: just how different are they?

sonofgod-bluray-aIf you’re the sort of person who has wondered just how much overlap there was between The Bible and its big-screen spin-off Son of God, have I got the spreadsheet for you!

It’s still a work in progress, but for now, anyone who is interested can download it from this Dropbox link. The basic idea is this: in one column, I list the timecodes for every scene from the last five episodes of The Bible (with the episode number where the hour would be), and in another, I list the timecodes for every scene in Son of God.

The advantages of this format are twofold: First, you can compare the relative lengths of the two versions of any given scene; more often than not, the movie tightened things up a tad, but every now and then the movie padded things out by adding elements that were missing from the miniseries. And second, because the movie added some scenes, deleted some scenes, and rearranged some other scenes, you can select either column and list all the scenes from one version of the film in the order in which they appeared in that version.

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Noah news round-up: the studio executives speak, what it all might mean for other Bible movies, and early Oscar buzz?

So, Noah had a great first weekend in North America and many other territories. How did it do so well? What are the film’s prospects going forward? And what does this bode for other possible Bible movies?

First, Paramount vice chairman Rob Moore — who attends a Vineyard church in Los Angeles — has given a few interviews commenting on how his studio beat some of the controversy that some people had whipped up in the months leading up to the film’s release.

Speaking to The Hollywood Reporter, he said a key “turning point” came when the studio openly admitted that the film was “inspired by” the Bible story but was not a “literal” version of it, whatever that would mean. He also commented on how the film has been received by different communities:
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Quick updates on A.D. and The Dovekeepers

Son of God producers Roma Downey and Mark Burnett gave lots of interviews in the days leading up to that film’s theatrical release, and in a few of those interviews, they dropped a few hints about their follow-up projects A.D. and The Dovekeepers, both of which will also take place in first-century Palestine. Here’s a quick summary of what they’ve said.

First, in chronological terms, A.D. will start at the crucifixion of Jesus and cover the next 40 years of Jewish and Christian history, until the destruction of the Temple in AD 70, while The Dovekeepers will start with the destruction of the Temple and continue through to the Roman siege of Masada, which ended in AD 73. It’s not clear whether the two shows will air in chronological order — they’re being produced for different networks — but those are the historical periods they will cover.

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Kevin Reynolds to direct latest Resurrection-themed movie

You can’t make a hit film or TV show without inspiring legions of imitators, so it’s no surprise that, when The Bible racked up some record TV ratings earlier this year, a gaggle of filmmakers announced that they were going to make biblical movies of their own.

In one blog post back then, I noted that various producers were developing no less than four separate movies that will deal specifically with the 40 days between the Resurrection of Jesus and his Ascension into heaven — and that’s not counting the big-screen version of The Bible itself (which comes out next year and will reportedly emphasize the Resurrection as well).

Now a sixth film has entered the fray — and it may be a project that was first put in motion during the previous Bible-movie development craze, which followed yet another hugely successful Bible film, i.e. The Passion of the Christ (2004).

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Scripture on the silver screen / New productions bring Bible-based stories to life

You often hear that the Bible is the best-selling book of all time. It turns out that movies and TV shows based on the Bible can set records in their own mediums, too.

The most recent example is The Bible, an ambitious mini-series produced by reality-TV mogul Mark Burnett (Survivor, The Apprentice) and his wife Roma Downey, former star of Touched by an Angel.

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The Bible / What works and what doesn’t in the ambitious mini-series

It’s common these days for each new episode of a TV series to begin with a montage that sums up all the relevant plot points from previous episodes. So it was only natural that, when the History Channel aired its five-part mini-series The Bible over the month of March, all but one of the episodes began with narrator Keith David intoning, in his deep baritone voice, “Previously, on The Bible…”

All of the show’s strengths and weaknesses are captured in that one phrase. Produced by Mark Burnett (a TV mogul best known for unscripted “reality” shows like Survivor and The Apprentice) and his wife Roma Downey (who once starred in Touched by an Angel), the mini-series rushes through the whole Bible, from Genesis to Revelation, in ten hours — though it’s more like seven, once you bracket off the commercial breaks — and it zips through the stories so quickly that you barely notice when they are compressed even further in those opening sequences. But the mini-series also makes a point of emphasizing the continuity between Bible stories in a way that is quite rare among Bible films, and in a way that sometimes allows individual stories to shed light profitably on others.

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