Thirteen things about the Alone Yet Not Alone kerfuffle

There has been a lot of sound and fury over the past six days as industry insiders and pundits of all kinds respond to the Academy’s decision to rescind the Oscar nomination for ‘Alone Yet Not Alone’, the title song to a small Christian film that almost no one had heard of until a few weeks ago, but which will now have ample fodder for its publicity campaign when it gets a wider release later this year.

I wrote about the rescindment last Wednesday, within hours of it being announced, but I figured it would be good to both take a step back and look at the film’s background, on the one hand, and summarize what the fallout has been since the Academy’s decision, on the other hand. Here, below, is a point-form summary.

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Billy Graham Goes to the Movies

For more than 50 years, the evangelist’s organization has been making films for the purpose of bringing viewers to Christ. And it’s worked—more than 2 million times.

Forty years after the fact, Denny Wayman can still remember one of his first experiences with evangelism — and it took place in a movie theatre in downtown Tulsa, Oklahoma.

Wayman was still in junior high school when World Wide Pictures, the movie studio founded by evangelist Billy Graham, produced The Restless Ones (1965), a film about juvenile delinquents, teen pregnancy, and other social issues. The film ends with Graham issuing an altar call at one of his crusades, and just as the characters in the movie are encouraged to come forward, so too the audience in the movie theatre was invited to take a stand for Christ. And Wayman was one of the counselors who stood, waiting, at the front.

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