One of the most haunting images in Darren Aronofsky’s Noah concerns a mountain peak that has not yet fully submerged. People cling to the peak, desperate to survive, and cry out for help from the Ark that drifts by in the background — but no help comes. Instead, a giant wave crashes against them all.
When I first saw the film, I remarked to the publicist who saw it with me that the image had reminded me of a painting, though I couldn’t put my figure on who or what it had reminded me of, specifically. The publicist suggested Hieronymus Bosch, a Dutch painter from the late 15th and early 16th centuries.