Moses and the Pharaoh have swords in new Exodus posters

The first posters for Exodus: Gods and Kings are here — and for a film that is supposedly going to be promoted as the next big battle epic from the director of Gladiator, it’s striking to see how sombre and lacking in action these first promotional images are.

They’re also strangely colourless. As you can see from the main poster to the right — which shows Christian Bale as Moses and Joel Edgerton as Ramses kind of glaring at each other while they touch their swords — the images are essentially black-and-white, except for gold-tinted highlights and just a hint of blue.

I also can’t recall ever seeing a Moses movie that made a pyramid as central to its imagery as this poster does. It gives the poster an Illuminati-esque feel, and I’m afraid the first thing it brings to mind is the fact that Exodus director Ridley Scott is attached to an HBO series which will play on the idea that the ancient Egyptian civilization was built in part with help from aliens.

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Exodus: Gods and Kings: new photos, a new Entertainment Weekly profile, and hints of a trailer coming soon

At last, I can finally stop rotating the same three or four pictures of Christian Bale as Moses at the top of my Exodus: Gods and Kings posts!

Entertainment Weekly posted a “first look” at Ridley Scott’s movie today, including five new photos and a handful of interview snippets. The Italian website Cinemamente also posted a couple of behind-the-scenes shots that I had never seen before, including the picture above.

On top of all that, the movie’s first trailer, which was recently shown to exhibitors in Europe, was approved by the film classification boards in at least two Canadian provinces last week. The Alberta website gives the trailer a PG rating and says it runs 90 seconds, while the British Columbia website says it runs 96 seconds, but in any case, it sounds like we’ll all get to see the trailer for ourselves fairly soon.

More pictures and interview snippets below the jump, including Sigourney Weaver as an Egyptian queen, Aaron Paul as Joshua and Ben Kingsley as Joshua’s father.

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Here we go again: Ridley Scott’s Exodus and “accuracy”

Longtime readers of this blog will know that I’m no fan of the expression “biblically accurate”. It’s not that I don’t like analyzing biblical and historical epics to see where they deviate from their source material; I do that sort of thing all the time. Rather, the problem is the way that phrase has been turned into a weapon, signifying little more than whether or not a movie has earned the approval of the person who uses that phrase.

Just in the past year and a half, we have seen people call The Bible and its big-screen spin-off Son of Godbiblically accurate” even though that miniseries was full of embellishments and got many details wrong, and we have also seen people condemn Noah for its alleged lack of accuracy even though it tackled lots of obscure biblical details that many people never think about. One film was “accurate” because it gave the audience what it wanted, and the other wasn’t because it didn’t.

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Ridley Scott’s Moses movie not quite done filming yet

Ridley Scott started shooting his Moses movie Exodus: Gods and Kings nine months ago, and there was so much buzz about the film earlier this year — from the first official pictures released around New Year’s Day to the coverage it got in the foreign press in March — that I’d kind of assumed that he had finished shooting it by now, and that all he had to worry about, between now and the film’s release in December, was the editing, the visual effects (the 3D parting of the Red Sea, etc.), the music and so on.

But apparently the cameras are still rolling. An article posted yesterday at Albawabh News, an Egyptian website, claims that Scott will finish shooting some scenes in and around the temples of Aswan “next Sunday” — at least as translated by Google.

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Ridley Scott to direct aliens-in-ancient-Egypt show Pharaoh

Two years ago, Ridley Scott explored the possibility that aliens created life on Earth — and that one of those aliens might have been Jesus — in Prometheus.

Later this year, he will tackle the story of Moses, the Egyptian prince who turns against the royal family that raised him, in Exodus: Gods and Kings.

Now imagine him putting those two stories together.

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Two very different Jesus shows heading for television

Remember Bill O’Reilly’s Killing Jesus?

Last year, the National Geographic Channel teamed up with Ridley Scott’s production company to turn O’Reilly’s book into a TV-movie, just as they had done with his earlier books Killing Lincoln and Killing Kennedy: The End of Camelot.

Now comes word that they’re going to make their third project a little longer, and turn it into a four-hour mini-series that will begin production this summer and premiere sometime in 2015.

Hmm. You don’t suppose the enormous success of the mini-series The Bible last year — which led to this year’s Son of God on the big screen and next year’s A.D. on the NBC network — had anything to do with Killing Jesus getting more airtime, do you?

Meanwhile, a very different sort of TV show is set to premiere this year. The Hollywood Reporter says Aaron McGruder, creator of the animated comedy The Boondocks (2005-2010), is working on a live-action series called Black Jesus for the Adult Swim network, and the trade paper describes the premise thusly:
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