Noah video round-up: a deleted clip, some new soundbites, and a “weather readiness” promo

vlcsnap-2014-08-08-10h01m27s29And the videos keep on coming!

Three weeks ago, five excerpts from the bonus features for Noah were released online, to coincide with the film’s release to Digital HD. The Blu-Ray itself came out last week, and with it, a few new videos.

Check ’em all out below the jump.

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Noah on Blu-Ray: some quick notes on the bonus features

noah-target-aThe Noah Blu-Ray is here — and with it, a bunch of behind-the-scenes stuff that we have never seen before. Here are some quick notes on the bonus features.

First, a reminder that different editions of the film come with different bonus features.

As far as I know, seven bonus features have been released one way or another so far, and all of them are available on the “exclusive” Target edition of the Blu-Ray. (The bilingual packaging on the disc I bought here in Canada listed only six bonus features, but the actual disc had all seven.) But only three of them are available on the Blu-Ray that is available everywhere else.

Also, three bonus features are apparently included if you purchase the film directly from iTunes (if you use iTunes to get the free “digital copy” that comes with your disc, you won’t get any bonus features, just the film), but one of the iTunes bonus features is actually from the Target disc and not from the regular Blu-Ray.

Confused yet? I’ll try to sort it all out below.

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Box-office update: Noah slips out of the top ten; Heaven Is for Real and God’s Not Dead have decent holds

For the first time since it came out four weeks ago, Noah fell out of the top ten — and behind God’s Not Dead — at the North American box office this weekend.

Both God’s Not Dead and Noah are currently playing in about 1,600 theatres. But where God’s Not Dead took in an estimated $2.8 million and landed in the #11 spot, Noah took in $2.3 million and landed at #14.

Noah also took in another $11.1 million overseas, benefiting from strong holds in France, Italy, the UK, Germany, Spain, Turkey and especially Brazil.

Noah has grossed $97.3 million in North America and another $222.7 million overseas, for a global total of $320 million. God’s Not Dead, for its part, has grossed $52.7 million in North America and has presumably made more money overseas, where it has been playing for a few weeks now, but no foreign figures are available at Box Office Mojo yet.

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Box-office update: Noah might get edged out of the top ten, Heaven Is for Real does better than expected, Son of God and God’s Not Dead begin to see some action overseas

Noah may or may not be in the top ten in this, its fourth week of release.

Deadline reports that Noah is virtually tied with God’s Not Dead and newcomer Disneynature’s Bears for the #9 spot, with a weekend haul of $4.8 million each. Box Office Mojo gives Noah the edge with an estimated $5 million, while Leonard Klady says God’s Not Dead is well behind the other two, with only $4.3 million.

In any case, one of those films will end up outside the top ten, in the #11 spot, when the final figures are released tomorrow. If Noah turns out to be that film, then it would have one more thing in common with Son of God, box-office-wise, as that film fell out of the North American top ten in its fourth week of release, too.

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Noah news round-up: a new TV spot, an update on which Muslim countries are banning the film, and more

Noah has been out in theatres for almost two weeks now, but that doesn’t mean the news around this film has died down yet. There’s a new TV spot that quotes some of the more positive reviews out there, the people behind popular Bible apps and websites say interest in Genesis has gone up, and we have an update on which Muslim countries are and are not banning the film. Check it all out below the jump.

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Second impressions: Noah (dir. Darren Aronofsky, 2014)

The first time I saw Darren Aronofsky’s Noah, I took six pages of notes, and I watched it with the memory of an early draft of the screenplay lingering in my brain. So I was distracted on at least two levels: by a need to jot down as many quotes and facts as I could, and by an awareness of how the script had evolved. Never mind people who obsess over how the film may or may not have deviated from Genesis; I kept thinking of how the film was deviating from that early script!

Needless to say, I don’t normally take that kind of background knowledge to the theatre when I go to see a movie, and I knew it wouldn’t be fair to Noah to hold that knowledge against it either. I also knew I needed to just sit back and watch the movie like a proper movie, to bask in the drama and let it unfold.

And so, on Wednesday morning, I saw the film a second time. And I can think of no better way to sum up the difference between my two viewings of the film than to say that I didn’t cry at all the first time I saw Noah, but I shed tears on a few separate occasions the second time I saw it. It’s a powerful, powerful film.

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