This just in: Pure Flix Entertainment sent out a press release today touting a couple of their upcoming releases, including The Case for Christ (which opens tomorrow) and Same Kind of Different as Me (which opens October 20) — and near the end, they mention that they just started shooting a new “biblical epic” about Samson.
Two quick new items via Deadline, both of which happen to concern Oscar-nominated foreign-film makers who are now going to direct films with a biblical element.
The Young Messiah: a scene guide (w/ clips and references to the scriptures, the apocryphal texts, and the novel)
Last month I wrote up a scene guide for Risen, noting which scriptures different parts of the movie were based on. Now it’s The Young Messiah’s turn — and this time, matters are complicated by the fact that the film is based not directly on the Bible, but on Anne Rice’s novel Christ the Lord: Out of Egypt, which in turn makes use of Old and New Testament apocrypha in addition to the scriptures.
My friend Matt Page is starting a series of posts over at the Bible Films Blog on the question of canonicity and Bible films. Among other things, he asks: Is there a “canon” of Bible films, independent of the biblical canon itself? And is there a reason why certain biblical stories get filmed again and again while others go ignored?
Christian Bale isn’t the only actor to play Moses in the last few months.
One of the issues that some people have had with Darren Aronofsky’s Noah — it was never a big-enough deal to become a full-fledged controversy, per se — concerns the ethnicity of the actors.
The film depicts the annihilation of the entire human race, except for one family that will go on to produce the entire human race as we know it today — so it seems a little odd to some people that pretty much every character we see in this film fits into a single ethnic category, i.e. Caucasian.
It seems even more odd when one considers that the human race was entirely dark-skinned at first, and that lighter skin was a later genetic mutation that emerged as certain population groups moved “into areas of low UV radiation”. The film flips this around by positing that the entire human race was light-skinned at first, or at least right after the Flood, and thus darker skin must have evolved later.