Be as wise as serpents, but stay away from snakeskins!

“Temptation led to sin.”

That’s the second sentence in Darren Aronofsky’s Noah. It’s printed on the screen for all to see. It is accompanied by an image of a serpent flicking its tongue at the camera. And it is followed by images of violence and destruction.

To those who are even half-familiar with the story of the Fall, you might think that this would all seem pretty straightforward. But no. Instead, a bizarre idea has surfaced in recent days, to the effect that Aronofsky’s film espouses a kind of Gnosticism.

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No, Noah is not Gnostic. (Say that ten times fast!)

Thanks to a lengthy blog post by Brian Mattson, a theologian with the the Center for Cultural Leadership in California, the latest meme to work its way into public discussion of Darren Aronofsky’s Noah is that the film is somehow Gnostic, and that it presents a worldview in which God is really Satan and vice versa.

Is there anything to Mattson’s claims? Not really, and here’s why.

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Review: Year One (dir. Harold Ramis, 2009)

yearone2It had to happen eventually. It has been five years since The Passion of the Christ brought the Bible epic back to the big screen, and nearly four since Judd Apatow began producing and directing a string of raunchy comedies — a few of which, such as the musical pseudo-biopic Walk Hard, have dabbled explicitly in genre parody. It was only a matter of time before Apatow or someone like him turned their attention to the religious epic, and the result is Year One, a buddy comedy that takes a relentlessly lowbrow look at the Book of Genesis.

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