Exorcists and Emperors: young actors play old, then play young again in flashbacks or prequels

Further to my post marking the 40th anniversary of The Exorcist, I thought it might be fun to look at one other way in which the Exorcist movies parallel the Star Wars franchise: namely, both series feature an actor who plays considerably older than his real age, and then, in at least one of the sequels or prequels, the actor plays more-or-less his real age in scenes set years or even decades earlier.

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Flashback: The Exorcist and its sequels and prequels

At least they waited until the day after Christmas to release the film.

It was 40 years ago today that a movie called The Exorcist came out in theatres and proceeded to shock its way to box-office success. But the film did more than jolt people with its images of outrageous demonic behaviour; it also subverted the assumptions of modernity by suggesting that there was more to us than science and psychology could understand, and in its own roundabout way, the film became an expression of faith (certainly on the part of its screenwriter, William Peter Blatty, though his particular brand of faith might not be exactly conventional or orthodox).

To mark the anniversary of the film’s release, I have re-posted my reviews of the original film and its prequels, and I have compiled a few links to other blog posts that I have written about the film. Check ’em out below the jump.

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Lawrence of Arabia and the Hubble telescope

Apart from the fact that Alec Guinness played an Arab prince living in the desert in Lawrence of Arabia (1962) fifteen years before he played a Jedi Knight living in the desert in Star Wars (1977), we don’t normally tend to associate T.E. Lawrence with outer space. After all, Lawrence, who famously led the Arab revolt against the Turks during World War I, died in 1935, two decades before the launch of the first artificial satellite in 1957. But a new video about the Hubble telescope and the previously-unknown galaxies discovered by it brought a passage from one of Lawrence’s memoirs to mind.

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The Hobbit and The Phantom Menace: a few similarities

The Hobbit: An Unexpected Journey is the first part of a prequel trilogy that takes place decades before another trilogy, namely The Lord of the Rings. This is the most obvious thing that Peter Jackson’s newest film has in common with Star Wars: Episode I: The Phantom Menace, but are there any others?

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Indiana Jones and the Deadly Blather / Notes on the devolution of a franchise.

“Didn’t any of you guys ever go to Sunday school?” So said Indiana Jones to a couple of bemused military intelligence agents in Raiders of the Lost Ark, easily the top-grossing film of 1981 and one of the greatest action movies ever made. And thus producer George Lucas and director Steven Spielberg seemed to make explicit what had only been implicit in the handful of films that they had made over the previous few years — films that had captured an entire generation’s spiritual imagination.

Lucas, of course, had helped to revive interest in the power of myth with his space-opera throwback, Star Wars (1977), and its sequel, The Empire Strikes Back (1980); the latter was particularly heavy on the spiritual development of its hero, Luke Skywalker. Some Christians, keen to capitalize on the franchise’s popularity, even went so far as to draw extensive analogies between the first movie and the biblical narrative; the fact that Obi-Wan Kenobi was betrayed by his disciple, and died, and continued beyond death as a counsellor to Luke was, of course, key to their interpretations.1 Spielberg, for his part, had directed Close Encounters of the Third Kind (1977, re-edited and re-released in 1980), a film about aliens that spoke very strongly to the longing for enlightenment from above; in both images and dialogue, the film even made indirect references to the story of Moses and his encounter with God on Mount Sinai.2

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Star Trek: Nemesis (no spoilers, just a lot of grousing)

Just came home from seeing this one. I don’t have to review this film for any secular media, and I’m afraid there’s no great thematic depth to it that warrants any coverage in the religious media, AFAIAC. So instead of writing a “review”, I’m just going to post a few random thoughts.

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