Synopsis. Jacob and his son Joseph are sitting outside the tent where Rachel has died giving birth to Benjamin, and they are mourning the death of their wife and mother when Jacob’s sister Faegheh arrives. After burying Rachel, the clan proceeds to the town where Abraham and Isaac are buried, and Jacob pays a visit to his ancestors’ graves. Joseph’s brothers — and Jacob’s surviving wife and concubines — begin to murmur jealously that Jacob favours Joseph above all the other children, so Faegheh, who is childless, offers to raise Joseph herself. But then one day Joseph goes missing while he and the other children are playing a game of hide-and-seek.
If you’re a Bible-movie buff and a space-movie buff like me, then you can’t help but notice how the two genres sometimes overlap.
BIBLE MOVIES refer so often to “the God of our fathers” it’s surprising at first to discover just how little attention films have paid to the patriarchs.
There are several reasons for this. Most biblical life stories are made up of disconnected episodes that do not easily conform to the structure of a two- or three-hour film. Attempts to be “historically accurate” with Genesis falter since no one knows when these stories occurred; scholars have dated Abraham to anywhere between the 23rd and 14th centuries BC.