Noah interview round-up: d.p. Matthew Libatique

I already have “interview round-ups” for director Darren Aronofsky and co-writer Ari Handel, so hey, why not one for cinematographer Matthew Libatique, who actually shot the images without which a film like Noah couldn’t exist?

Libatique went to film school with Aronofsky and has shot all but one of his feature films (the exception being 2008’s The Wrestler). Libatique even shot a couple of Aronofsky’s early short films!

Libatique has also worked multiple times with filmmakers like Spike Lee (She Hate Me, Inside Man, Miracle at St. Anna), Joel Schumacher (Tigerland, Phone Booth, The Number 23) and Jon Favreau (Iron Man, Iron Man 2, Cowboys & Aliens).

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How I helped Jon Stewart get one of his Noah facts wrong

Of all the controversies that have swirled around Darren Aronofsky’s Noah, by far the dumbest is the one that erupted over the claim that the dialogue in this film never uses the word “God”.

Last night Jon Stewart tackled this subject in a segment called ‘Haters of the Lost Ark’. And along the way, he repeated a claim that I and others have made in the film’s defense — a claim that, I’m afraid, might have been mistaken.

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Be as wise as serpents, but stay away from snakeskins!

“Temptation led to sin.”

That’s the second sentence in Darren Aronofsky’s Noah. It’s printed on the screen for all to see. It is accompanied by an image of a serpent shedding its light skin and emerging as a darker, more foreboding creature. It is also followed by images of violence and destruction.

To those who are even half-familiar with the story of the Fall, you might think that this would all seem pretty straightforward. But no. Instead, a bizarre idea has surfaced in recent days, to the effect that Aronofsky’s film espouses a kind of Gnosticism.

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No, Noah is not Gnostic. (Say that ten times fast!)

Thanks to a lengthy blog post by Brian Mattson, a theologian with the the Center for Cultural Leadership in California, the latest meme to work its way into public discussion of Darren Aronofsky’s Noah is that the film is somehow Gnostic, and that it presents a worldview in which God is really Satan and vice versa.

Is there anything to Mattson’s claims? Not really, and here’s why.

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Second impressions: Noah (dir. Darren Aronofsky, 2014)

The first time I saw Darren Aronofsky’s Noah, I took six pages of notes, and I watched it with the memory of an early draft of the screenplay lingering in my brain. So I was distracted on at least two levels: by a need to jot down as many quotes and facts as I could, and by an awareness of how the script had evolved. Never mind people who obsess over how the film may or may not have deviated from Genesis; I kept thinking of how the film was deviating from that early script!

Needless to say, I don’t normally take that kind of background knowledge to the theatre when I go to see a movie, and I knew it wouldn’t be fair to Noah to hold that knowledge against it either. I also knew I needed to just sit back and watch the movie like a proper movie, to bask in the drama and let it unfold.

And so, on Wednesday morning, I saw the film a second time. And I can think of no better way to sum up the difference between my two viewings of the film than to say that I didn’t cry at all the first time I saw Noah, but I shed tears on a few separate occasions the second time I saw it. It’s a powerful, powerful film.

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Darren Aronofsky on “dominion” vs “stewardship”, and how the Exxon Valdez spill inspired his take on the Nephilim

Speaking of things that inspired Noah director Darren Aronofsky when he was young, he wrote an article for the Huffington Post today on a trip he made to Alaska in 1986, and how it affected his views on the environment and the stewardship of creation, etc.

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