Be as wise as serpents, but stay away from snakeskins!

“Temptation led to sin.”

That’s the second sentence in Darren Aronofsky’s Noah. It’s printed on the screen for all to see. It is accompanied by an image of a serpent flicking its tongue at the camera. And it is followed by images of violence and destruction.

To those who are even half-familiar with the story of the Fall, you might think that this would all seem pretty straightforward. But no. Instead, a bizarre idea has surfaced in recent days, to the effect that Aronofsky’s film espouses a kind of Gnosticism.

[Read more...]

No, Noah is not Gnostic. (Say that ten times fast!)

Thanks to a lengthy blog post by Brian Mattson, a theologian with the the Center for Cultural Leadership in California, the latest meme to work its way into public discussion of Darren Aronofsky’s Noah is that the film is somehow Gnostic, and that it presents a worldview in which God is really Satan and vice versa.

Is there anything to Mattson’s claims? Not really, and here’s why.

[Read more...]

Second impressions: Noah (dir. Darren Aronofsky, 2014)

The first time I saw Darren Aronofsky’s Noah, I took six pages of notes, and I watched it with the memory of an early draft of the screenplay lingering in my brain. So I was distracted on at least two levels: by a need to jot down as many quotes and facts as I could, and by an awareness of how the script had evolved. Never mind people who obsess over how the film may or may not have deviated from Genesis; I kept thinking of how the film was deviating from that early script!

Needless to say, I don’t normally take that kind of background knowledge to the theatre when I go to see a movie, and I knew it wouldn’t be fair to Noah to hold that knowledge against it either. I also knew I needed to just sit back and watch the movie like a proper movie, to bask in the drama and let it unfold.

And so, on Wednesday morning, I saw the film a second time. And I can think of no better way to sum up the difference between my two viewings of the film than to say that I didn’t cry at all the first time I saw Noah, but I shed tears on a few separate occasions the second time I saw it. It’s a powerful, powerful film.

[Read more...]

Darren Aronofsky on “dominion” vs “stewardship”, and how the Exxon Valdez spill inspired his take on the Nephilim

Speaking of things that inspired Noah director Darren Aronofsky when he was young, he wrote an article for the Huffington Post today on a trip he made to Alaska in 1986, and how it affected his views on the environment and the stewardship of creation, etc.

[Read more...]

Noah interview round-up: director Darren Aronofsky

When I interviewed Darren Aronofsky in New York four weeks ago, it was the first time I had heard him discuss his film Noah in the context of midrash, a form of Jewish narrative interpretation of the scriptures. But he has certainly brought it up quite a bit in the interviews he has done since then.

For example, it’s right there in the headline that sits atop the interview that Huffington Post religion editor Paul Brandeis Raushenbush did with Aronofsky and his co-writer Ari Handel (‘Noah: A Midrash by Darren Aronofsky and Ari Handel’). A couple sample quotes:
[Read more...]

Noah video round-up: Tubal-Cain rallies the troops in a new clip, plus a new featurette on the animals and a new TV spot

I’m too busy actually writing about Noah these days to spend much time analyzing the videos the way I used to, but the film comes out in two days so you’ll have a chance to see it all soon anyway. In the meantime, here are a few new videos that the studio has released since yesterday.

[Read more...]


CLOSE | X

HIDE | X