When The Matrix first came out four and a half years ago, many Christians were intrigued and excited by the film’s many biblical allusions. The protagonist was a hacker named Neo (Keanu Reeves) who discovered that the entire human race was trapped within a virtual reality, and all people were living in a computer-generated dream state to hide the fact that the world had been conquered by machines that were using human beings as a power source.
REALITY ISN’T what it used to be. For whatever reason — premillennial anxiety, post-modern rootlessness, the increasing verisimilitude of special effects — filmmakers are increasingly obsessed with the notion that the real world is, in fact, unreal. Last year gave us The Truman Show and Dark City, in which human protagonists awoke to discover they were trapped in cages under someone else’s watchful eye. Similar themes may surface next month in The Thirteenth Floor.