Review: X-Men: Apocalypse (dir. Bryan Singer, 2016)

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Movie franchises are getting increasingly convoluted these days, and the X-Men series is no exception. So, to recap: X-Men: Apocalypse is the ninth film in the X-Men series (counting the Wolverine and Deadpool solo features), the seventh film to have the word “X-Men” in the title, the fourth film in the series to be directed by Bryan Singer (who got the whole thing started sixteen years ago), and the third film to feature the younger cast that was first introduced five years ago in X-Men: First Class.

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Flashback: Jackman and Mangold before The Wolverine

Tonight marks the release of The Wolverine, the sixth installment in the X-Men franchise and the sixth film to feature Hugh Jackman as the self-healing Canadian mutant with the retractable adamantium claws.

The Wolverine is also the second film, following X-Men Origins: Wolverine (2009), to feature the title character as a stand-alone protagonist, and one fun bit of trivia is that both of the stand-alone movies have represented a reunion of sorts between Jackman and one of his key collaborators on the time-travelling romantic comedy Kate & Leopold (2001). The first film co-starred Liev Schreiber as Wolverine’s half-brother; he had previously played Jackman’s great-great-grandson in Kate & Leopold. And now, the second film is directed by James Mangold, who directed Kate & Leopold. (If there’s a third Wolverine film, perhaps it will co-star Meg Ryan?)

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