You might want to contrast the work of Cranach & Durer on their special day with another artist much in the news, the late Andy Warhol. The conservative art critic says this about him in a posting entitled Roger Kimball Warhol vs. art:
According to the philosopher and art critic Arthur Danto, Andy Warhol was the nearest thing to a “philosophical genius” that twentieth-century art produced. Why? Because he helped complete the assault—begun by Marcel Duchamp in the early years of the 20th century—on the traditional understanding of art as a distinctive, and distinctively valuable, realm of experience. Whether that activity is best understood as “philosophical” I will leave to one side. It certainly did a lot to change, not to say undermine, practice of art in the later part of the twentieth century. I have always felt that Warhol’s chief talent was not philosophical but promotional. The man had an uncanny talent—genius, even—for publicity. For me, his remark that “Art is what you can get away with” takes us close to the center of his achievement—not, I believe, an aesthetic achievement, or even a philosophical one, but assuredly something special in the annals of shameless cultural hucksterism.
Warholism is not the only perspective determining the shape of the art world today, but it is a strong, perhaps a dominant, force.
Think of that: a dominant force in today’s art world rejects the notion that art is a distinctively valuable realm of experience.
Warhol, of course, is the “pop-artist” of Campbell Soup cans, Marilyn Monroe prints, and films such as “Sleep,” consisting of 5 and a half hours that show nothing more than a man sleeping. That work was dutifully screened in Washington lately.
Christians have been accused, rightly in some cases, of rejecting art, but today it’s the art world that’s rejecting art!
Do you see why Christians have an ADVANTAGE over the secularists when it comes to art?