The notable scholar and Catholic commentator Anthony Esolen–whom I have had the privilege of hanging out with at a classical education conference at Our Savior’s in Houston–has written a fine essay on Shakespeare’s consistent theme of chastity, not just for women, but (rare in his day) for men.
There is an abundance of evidence to show that Shakespeare was a profoundly Christian playwright—and far more thoroughly concerned with the theology of grace, repentance, and redemption than any of his contemporaries. Here I should like to note one characteristic of his view of the world that seems to spring from his Christian faith—for it certainly does not spring from any recrudescence of paganism in the Renaissance, nor from the worldly laxity that sets in with the fading of western man’s assurance of Christian dogma and morals. For Shakespeare, chastity is as near to an absolute value as it is possible for a virtue to be.
Esolen then makes his case by examining play after play, noble character after noble character. Shakespeare does not ignore sex. Far from it. But his heroes, however ardent in their love, reject having sex before marriage.
HT: David Mills