We don’t get to see a photograph of Osama bin Laden’s body, but we did get to see a photograph of the President and his team watching the mission go down. It’s quite dramatic to see the expressions on everyone’s faces during this intense moment–the President’s intense stare, the Secretary of State’s hand covering her face (apparently in emotion, though she says now she might have just been coughing due to her allergies).
The Washington Post features various experts commenting on the picture. I was especially taken by this one by art critic Philip Kennicott:
At least two basic metaphors of power are at play: being in the room and at the table. Both metaphors expressly exclude us, the viewers of the photo, who are not there, not in the loop. The photograph fascinates because it represents the most basic aspects of political power: knowledge, access, influence and proximity.
The photograph thus puts the viewer in a subordinate position. But the chain of meanings continues at least one more step. The anxiety on the faces shows the degree to which some of the most powerful people in the world can’t control events. They (and their administration) are subordinate to chance and fate, to unknown unknowns and known unknowns.
So the sequence is this: We have less power than they do, and they have less power than reality. The photographer creates a kind of “V” of sightlines to emphasize this drama: We look in from one angle as they look out at another, almost a perfect mirror image.
We enjoy narratives of great power because we have so little power in our own lives over things such as errant buses, disease, death and the vicissitudes of love. The photo reveals that sometimes even people who seem to have invested in them the talent and power to be masters of their fate are frightened, worried, tense and uncertain. And so by excluding us from the world of one kind of power, the photo reminds of a more fundamental powerlessness. It keeps us out of one room but puts us all in another, from which there is no exit.