World Magazine has a profile of architect David Greusel, who specializes in designing baseball stadiums. In addition to a fascinating discussion of ball parks, focusing on the one hailed as the best in baseball–Pittsburgh’s PNC Park, which Greusel designed–the article by Janie Cheaney highlights the architect’s Christian faith and his sense of vocation. This excerpt has wide-ranging implications:
Integrating work with family and faith shouldn’t be controversial, but over the years Greusel has found himself running counter not only to the architectural establishment, but also to certain strains of Christian fundamentalism. In an online essay called “God’s Trailer,” Greusel boldly states that “bad church architecture is as much the result of bad theology as it is of bad design”—meaning that an overemphasis on saving souls has blinded some congregations to the value of nurturing souls. Too many Christians buy into a perversion of the old architectural saw that “form follows function,” seeing their buildings as so many square feet of function with a cross stuck on, instead of a place to direct our attention to God’s glory.
Greusel likes to quote Winston Churchill: “First, we shape our buildings, then they shape us.” He believes the need for Christian architects who bring their worldview to their work has never been greater, for at least three reasons. One, the “creation mandate” (Genesis 1:28) implies that we can continue God’s work on earth by designing spaces that are both useful and beautiful. Also, as creatures made in His image, we honor God by following in His creative footsteps and striving for excellence. And finally, designing (and insisting on) beautiful buildings puts us on the front lines of the culture war: Against the dreary functionalism, commodification, and standardization of concrete boxes, our buildings can reflect both the glory of God and the humanity of man—whether their primary function is to encourage worship or to showcase a perfect double play.
Read Greusel’s entire essay God’s Trailer. The contradiction he cites–“fundamentalists” buying into the dogmas of the “modernists”– is very telling. By the same token, some of the biggest critics of pop culture are insisting on pop music in their worship. And theological “conservatives” are arguing that the church must conform to the culture, the textbook definition of theological liberalism.