Springsteen on Hank Williams

David Browder quotes from a keynote speech Bruce Springsteen made at the SXSW shindig in Austin in which he gives his reflections on the great Hank Williams and the music of his tradition:

I remember sitting in my little apartment, listening to Hank Williams Greatest Hits over and over. And I was trying to crack his code because at first it just didn’t sound good to me. It just sounded cranky and old-fashioned…with that hard country voice. With that austere instrumentation. But slowly, slowly my ears became accustomed to its beautiful simplicity and its darkness and depth. And Hank Williams went from archival to alive for me before my, before my very eyes. And I lived, I lived on that for awhile in the late ’70s.

One thing it rarely was…it was rarely politically angry, it was rarely politically critical. And I realized that fatalism had a toxic element. If rock ‘n roll was a seven-day weekend, country was Saturday night hell-raising, followed by heavy Sunday coming down. Guilt, guilt, guilt. I [fracked] up, oh my God. But, as the song says, would you take another chance on me? That was country. Country seemed not to question why, it seemed like it was about doing then dying, screwing then crying, boozing then trying. And as Jerry Lee Lewis, the living, breathing personification of both rock and country, said, “I’ve fallen to the bottom and I’m working my way down.”

via Who Put That Hole in My Bucket? The Difference Between Bruce Springsteen and Hank Williams | Mockingbird.

Yes!  Exactly!  Bruce didn’t quite understand it, but Browder does, going on to name what it is about Hank Williams that is so compelling:  The backdrop of Christianity and the agonizing struggle between sin and grace.

 

Why Springsteen uses a teleprompter

A Washington Post critic chastized Bruce Springsteen for using a teleprompter at a recent concert, sparking this letter to the editor by E Street Band guitarist Nils Lofgren.  Not only does the letter explain the quite different-from-the-ordinary use of this technology, but it illuminates the spontaneity and “musical recklessness” of a Springsteen concert from the point of view of someone on the inside:

Your teleprompter article left out some important points. Last E Street tour, (”Working On A Dream”) we played 192 different songs on that tour alone. Dozens of those songs were from audience-request signs Bruce would collect and dump in front of the drum riser. He would then rifle through them, sailing them around him until he found a song to attempt — much like the college kid rummaging through the pile of dirty laundry in search of one clean shirt.

Many songs were covers we had never performed live. EVER! He would show us the sign and then immediately “frisbee” it down the stairs to the teleprompter crew to surf the net and find the lyrics while we all talked up a quick arrangement at his microphone, knowing he’d be counting it off in 20 seconds.

Many of those audibles were Bruce songs unrehearsed or played in years or decades. With our collective musical memory, hand signals and teleprompter, it allows for those ambitious, ad lib moments and an inspired, musical recklessness I believe is unique to our shows. These points might have brought some additional perspective to your article. In our case, the teleprompter has a much more ambitious use and purpose than your article indicates.

via Nils Lofgren defends Bruce Springsteen’s use of teleprompter – The Style Blog – The Washington Post.


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