The multi-talented Lori Lewis has launched an internet radio channel devoted to Lutheran music. That is to say, to 16th and 17th century sacred music with lots of hymns, chorales, and Bach. The channel is called Wittenberg Nightingale, after an epithet for Luther from the poet Hans Sachs, and is a spinoff of Lori’s Katie Luther project, the opera about Luther’s wife. [Read more…]
Remember Lori Lewis, who used to be a frequent commenter on this blog? She is a musician who used to be involved with the contemporary Christian music scene, discovered confessional Lutheranism, and became a critic of that genre. Now she’s a professional opera singer (as well as the mind behind the online lifestyle and arts magazine Everyday Opera). Her latest project: an opera about Katharine von Bora, the fascinating wife of Martin Luther.
Some of you may remember Lori Lewis who occasionally has frequented this blog. At one point she was all involved in radio and contemporary Christian music, but then she became a confessional Lutheran and an outspoken critic of that musical scene. More recently she has gotten involved with opera, both as a singer and as a popularizer of that artform via radio and writing. Her latest project, though, is a webzine entitled Eveyday Opera. It’s not about opera; rather, it uses opera as a metaphor for what she describes in the site’s slogan as “Life Full Voice.” Here is how she described it to me:
A little over 2 years ago I started Everyday Opera out of the need to find a platform for my own art.I had gone through a down time but out of it grew this idea…Making Classic Art an Everyday Event.Personality driven, non intimidating, but with the theory that Art lifts us in our everyday experience. In a culture full of junk food, and I eat plenty of my share, I’m a mini-evangelist for expanding one’s horizon’s.Opera is the metaphor here for living Live Full Voice. That is how an Opera Singer sings…Full VoiceWe encourage the thinking that all of life can be lived Full Voice, whether you are a great singer,a great chef, wine maker, farmer, mother, teacher, and on and on. (Isn’t it really modeled afterThe Spirituality of the Cross? The book that help me be free as a christian to be free as a person.)
Kind words about my book. She makes an interesting connection between Christian freedom through the Gospel, personal freedom, and vocation. Anyway, Eveyday Opera has articles about travel, food, art, literature, wine, music, and other pleasures of life. It doesn’t get into theology, as such, though I’d say it has a Christian view of the world, though many Christians have arguably hung back from living life “full voice.” (Why is that, do you think? Do you agree that Christians are freed to appreciate things like these?)
Anyway, Lori has enlisted me to write for the site occasionally, so I wrote a piece on literary style that I’ll link to in a separate post.
This is a topic that Lori Lewis asked me to address at her webzine Everyday Opera, trying to help people appreciate all the different literary styles:
“I can’t stand all of those flowery descriptions in classic literature. Why don’t the authors just get to the action?” “I don’t like opera with all of that over-the-top emotion.” “Those old writers are just not realistic!” Those are common complaints, but they deserve an answer.
First of all, literature is an art form that consists of language. Whereas a painter uses daubs of paint, an author uses daubs of words. Whereas a musical composer works with individual musical notes, working them together into complex harmonies, rhythms, and melodies, an author creates the effects of a novel or a poem with individual words.
This is to say, an author can’t just “get to the action” because a story is not just a matter of action. It’s words. Plays, including the dramatic production that is a movie, do consist of action. But even a visualized story generally depends on the language of dialogue, which actors use to create their characters. Purists who want only action might restrict themselves to silent movies. But even silent movies—as with all dramatic scripts—have to be written.
Words are multi-dimensional and can create an infinite number of effects–including the illusion that the words are doing nothing. Those who are impatient with “style” often don’t realize that “realism” is also a style.