Major Hollywood studios are working on movies based on stories from the Bible. See the list after the jump. [Read more…]
We saw Les Miserables, which has to be the most explicitly Christian film that I have seen come out of contemporary Hollywood. There are more meaningful unembarrassed references–in dialogue, songs, and plot elements–to God, Jesus, salvation, grace, prayer, and Heaven than in most of the overtly Christian productions that I have seen lately.
The ex-convict Jean Valjean has received the forgiveness of Jesus, thanks to a priest who shows him an inexplicable grace. In response to that forgiveness, Valjean lives a life of sacrificial service to others. His good works are a direct fruit of the Gospel.
Inspector Javert speaks of God also, but, as he says of himself, “I am of the Law.” He is all about personal righteousness, justice, and salvation by works. He does not believe that sinners can or should be forgiven.
This all gets caught up in the wretched state of French society and with a revolutionary movement, led by idealistic students. (This is not to be confused with the French Revolution of 1789. France had several successful and unsuccessful revolutions in the 19th century.) But pay special attention to the words of that final song.
The movie is intense and very moving. It’s a musical, not just in the sense of big musical numbers (though there are those) but in the sense of an opera, with virtually all of the dialog being sung. The film is realistically shot–the battle at the barricade is tremendous–but that doesn’t necessarily go with the stylized singing. I think it works better on the stage. So see the movie, see the play, and, above all, read Victor Hugo’s novel, one of the greatest in literary history.
Yet another seemingly unlikely book by C. S. Lewis is getting made into a movie:
Ralph Winter, producer of the X-Men films and a self-professed Christian, is set to produce the film version of The Screwtape Letters in a partnership with Fox and Walden Media, the studio that produced the Narnia films, as well as Bridge to Terabithia and Charlotte’s Web.
Fox has owned the film rights to The Screwtape Letters since the 1950s, and adapting Lewis’ 1942 satirical novel for the big screen has been an endeavor of epic proportions. The book is composed of a series of letters from the veteran demon Screwtape to his junior “tempter” nephew, Wormwood, on the best ways to bring about the spiritual downfall of his target, a British man known simply as “the Patient.”
Winter told The Christian Post last year that producers hoped to attach director Scott Dickerson (The Exorcism of Emily Rose) to the film, which likely be rated PG-13, because it is “edgy, serious material.”
While the film is on a “fast track” and a 2012 release is likely, Winter is in no hurry to get it into theaters. “I don’t want to be known as the guy who ruined it,” he said. “So I’m gonna go slow … We’ll get there in God’s timing and when it’s right.”
In the “you don’t know what you are getting into” department, one of the producers of The Lord of the Rings movies is planning on making a movie about the prophet Muhammad:
Producer Barrie Osborne cast Keanu Reeves as the messiah in The Matrix and helped defeat the dark lord Sauron in his record-breaking Lord of the Rings trilogy. Now the Oscar-winning American film-maker is set to embark on his most perilous quest to date: making a big-screen biopic of the prophet Muhammad.
Budgeted at around $150m (£91.5m), the film will chart Muhammad's life and examine his teachings. Osborne told Reuters that he envisages it as "an international epic production aimed at bridging cultures. The film will educate people about the true meaning of Islam".
Osborne's production will reportedly feature English-speaking Muslim actors. It is backed by the Qatar-based production company Alnoor Holdings, who have installed the Muslim scholar Sheikh Yusuf Al-Qaradawi to oversee all aspects of the shoot. In accordance with Islamic law, the prophet will not actually be depicted on screen. . . .
The as-yet-untitled picture is due to go before the cameras in 2011. It remains to be seen, however, whether it will be beaten to cinemas by another Muhammad-themed drama. Late last year, producer Oscar Zoghbi announced plans to remake The Message, his controversial 1976 drama that sparked a fatal siege by protesters in Washington DC. The new version, entitled The Messenger of Peace, is currently still in development.
A Hollywood non-Muslim is going to teach the world “the true meaning of Islam”? Either he will offend actual Muslims or he will present a white-washed version, one that possibly will inspire Westerners to embrace a new Westernized and sanitized form of the religion. (See what some Americans have done to Hinduism, Buddhism, and paganism [below–note the lack of sacrifices].)
The earlier movie “The Message” offended Muslims to the point of violence, but this remake looks like it will atone for that insensitivity by rendering the prophet as “The Messenger of Peace” for this religion of peace.
Shooting the movie without showing the main character, though, will be an interesting challenge. “Ben Hur” managed scenes with Jesus that never showed Him, but that was only for very short sequences. And the point of view shots that replaced the visual depictions of our Lord (which still bother some Christians to this day) show a degree of adoration that would probably also violate Islam.