In this week’s podcast Issues Etc. host Todd Wilkin and I discussed two of my recent GetReligion stories: “Charlie Hebdo’s Muhammad Cartoon Crassness” and “Foggy Bottom’s ‘pantywaist protocol pussy-footers’.” Starting with the press coverage on the attacks on the U.S. embassy in Cairo and consulate in Benghazi, the articles (and our discussion) moved on to the vexed question of how the Western media reports on blasphemy in an Islamic context.
I argued the early coverage on the Middle East stories was uneven. There were some great stories from the Washington Post, New York Times and other outlets from their reporters on the streets of Cairo. I also singled out for praise a CNN story that put the issue of blasphemy in context for an American audience — answering the question why the “Innocence of Muslims” movie would be so offensive.
The domestic reporting on the embassy attacks was not as strong. In my opinion, stateside reporters seemed to view this incident through the lens of the Presidential election campaign. They parroted the State Department’s claims the riots were spontaneous reactions to to the YouTube video — even though the same papers’ overseas reporters were writing there was evidence the riots were scripted and pre-planned, awaiting a suitable provocation.
The second story about the cartoons satirizing Muhammad as a gay porn star in the French magazine Charlie Hebdo reinforces the disconnect between the domestic and overseas reporting. The assertion that this was spontaneous, or some sort of religious flash mob, has not been borne out by the responses to the French cartons. The Charlie Hebdo cartoons are obscene, while the “Innocence of Muslims” video is dumb. The French government closed 20 embassies in the Muslim world in fear of attacks, yet nothing so far has happened (either in Metropolitan France or abroad).
The Spanish magazine El Jueves last week published its Muhammad cover showing a line up of men in Islamic outfits. The cover says: “But how do they know which one is Muhammad?”
Writing in the Süddeutsche Zeitung, Hilmar Klute argued the Muhammad cartoons and videos — and the responses they have generated have become rather tiresome.
Seldom has satire been so much in the public spotlight as it has these days. Seldom have satirical drawings and cover pages in Germany and especially in France caused such a great stir. And rarely have so many supporters and opponents of satire popped up with a number of somewhat outrageous claims and warnings. Günter Wallraff wants to flood the European media with anti-Islamic cartoons to ensure that the “demonstration of liberty” – and he really means it – is not just the concern of a few friends of freedom.
This vibrant audacity is, in truth, the quivering anger of an over-excited neo-bourgeoisie that believes that the liberal order can be toppled by crazed Islamists and that we can also defend our open society with art. Sharpened quills versus the scimitar.
This is a pity because satire, precisely at a time when there’s so much material, has seldom been as mediocre as it is today. The mediocre craftsmanship of Charlie Hebdo cartoonist, Charb, is not the problem here. What’s sad is the intellectual laziness behind all these sensationalist pictures, photo-montages and jokes.
My sympathies lie with Mr. Klute. There is an air of unreality and lack of intellectual and moral seriousness about this controversy. Those who lived in the New York area in the 1980s will certainly remember “Crazy Eddie”. The discount electronics chain ended each of its high power, high volume advertisements with the tag line: “His prices are insane!”.
At times I feel Crazy Eddie has returned, but this time round he is peddling politics.