Behold: A pretty fair tribute to George Beverly Shea

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Longtime GetReligion readers may recall that I grew up in Texas in the 1960s and early ’70s, the son of a Southern Baptist pastor. Suffice it to say that I have been to my share of Billy Graham meetings, back then and as a reporter on the religion beat in Denver and elsewhere.

So I heard George Beverly Shea sing on multiple occasions.

The purpose of this post is quite simple, but I will admit that it is a bit strange. I would like to thank the editors of The Washington Post for running a non-snarky obituary for Shea, who died April 16 at the age of 104. I don’t think I have ever heard a single person say a bad word about Shea, which would have raised the degree of difficulty in writing an obit with some teeth in it.

It is estimated that Shea sang — in person — for an estimated audience of 220 million in a career that spanned seven decades. Toss in television and shelves of albums and he would have to rank near the top, in terms of impact, in the world of gospel music.

Shea was never the main attraction and he knew it, a fact noted in the Post report. Here’s my favorite chunk of the story:

When Graham devoted himself to his evangelistic “crusades” in 1947, he invited Mr. Shea to join him. From then on, wherever Graham preached, Mr. Shea sang. He was known for his clean diction, perfect pitch and a robust bass-baritone voice that was as sturdy and as flashy as a tree trunk.

Mr. Shea had a repertoire of hundreds of hymns — some of which he composed — but was identified with a few familiar favorites, including “The Old Rugged Cross,” “He’s Got the Whole World in His Hands” and, especially, “How Great Thou Art.” He began singing “How Great Thou Art,” a Swedish hymn written in the 1880s, in the mid-1950s. When Graham preached to more than 2 million people during a prolonged crusade in New York City in 1957, Mr. Shea sang his signature number on more than 100 consecutive nights.

Two alterations he made in the lyrics of “How Great Thou Art” became so well known that the original words were almost forgotten. Mr. Shea changed “consider all the works thy hands have made” to “all the worlds thy hands have made” and “I hear the mighty thunder” to “I hear the rolling thunder.”

“I got a bang when I used to hear Elvis Presley sing my two words,” Mr. Shea told the Kansas City Star in 2004.

The connections with the Graham family were strong at every possible level.

How strong?

Graham and Shea:

… (E)nded up living less than a mile apart in Montreat, N.C., where the 94-year-old Graham still resides. Mr. Shea said that when he raised the possibility of retiring, Graham always rejected the notion.

“Mr. Graham says there is no Scripture that allows us to retire,” Mr. Shea said in 2002. …

In 2011, when he was 102, Mr. Shea received a Grammy for lifetime achievement. He accepted the award in person and is believed to be the oldest Grammy winner of all time.

Stop and think about that. The Grammy folks had to wait until he was 102 to honor him. Why?

Memory eternal, for a very strong voice in the choir that matters the most.

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About tmatt

Terry Mattingly directs the Washington Journalism Center at the Council for Christian Colleges and Universities. He writes a weekly column for the Universal Syndicate.

  • Julia

    Great singer – I didn’t realize he was behind changing the words.
    I get why he didn’t want “works”, but what was wrong with “mighty”?
    I guess he just like the sound of “rolling” betting – was great at rolling his r’s.

  • helen

    Possibly he heard thunder that way; I have.
    However startling it is, thunder isn’t “mighty”… the power and the danger is in the lightning.

  • helen

    Possibly he heard thunder that way; I have.
    However startling it is, thunder isn’t “mighty”… the power and the danger is in the lightning.

  • FW Ken

    A sweet, good obituary. Thank you for posting it.

  • bob

    There’s a show called “America’s Got Talent”. Well, it *did*.


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