Journalists expect the Passion to mean something big, one way or another

textWhen I was working as a full-time religion-beat reporter, the phrase I most dreaded hearing my editor say was, “I think we’ve got to do a trend story on that.” Well, that and the dreaded, “There’s a call from a furious (insert denominational name here) minister on line one.”

You know what “trend story” means: That it’s time to get out those words that journalists aren’t supposed to use that much, words like “seems,” “hopes” and (cue: drumroll) “is expected to.” It makes me shudder just thinking about it.

There is a classic formula for these stories. You need a minimum of three local anecdotes, some kind of poll or impressive statistic and, finally, a quote from a respected academic leader. The larger the newspaper, the more likely it is that this quotation will be Dr. Martin Marty of the University of Chicago. If the story describes a progressive trend, you need an outraged quotation from a local fundamentalist leader. (To see this demonstrated perfectly, click here.) If it is a conservative trend, then this slot is filled by an Episcopal bishop, a Jewish community leader or your market’s designated progressive Catholic priest.

If you reside in the United States of America, the odds are good that your local newspaper has published a story of this kind in the past two days. From sea to shining sea, journalists have been commanded by their editors to find out what kind of impact Mel Gibson’s “The Passion of the Christ” will have on all of those quaint people who are celebrating Easter. This movie was supposed to bring waves of terror to our streets. But it does seem (insert big box-office statistic here) that a few people were in some strange way inspired by it.

Which leads to anecdotal leads such as this one, by Elizabeth Clarke of the Palm Beach Post:

Maida Boynton, a long-lapsed Catholic, began exploring her religious beliefs again last year. She visited churches, read books and watched religious leaders on television — but she was taking just “baby steps” toward the Lord.

Until she saw The Passion of the Christ.

And right there in the Royal Palm Beach Regal Cinemas, Boynton, 55, turned over her life to God with a quiet prayer. She cried a bit during the movie — and even screamed out “No more. Stop it!” during the whipping scene — but what touched her most was Jesus’ prayer on the cross for those who had killed him.

“That shook me to my very bones,” she says. “I then realized, ‘Yes, he did die to save me.’ That day, I just went to the pastor to hug him, and I whispered in his ear: ‘I would like for you to baptize me next Sunday.’ ”

On Feb. 29, at Berean Baptist Church in suburban West Palm Beach, Boynton was baptized.

textThat is the classic Wall Street Journal column-one approach — tell us the story of one person who stands (it is assumed) for thousands of other people. Newspapers can also take a more sweeping approach, such as this lead and summary paragraph from Larry Stammer at the Los Angeles Times:

From Easter sunrise services on hilltops and beaches to joyous observances in packed cathedrals, evangelical mega-churches and humble storefront missions, the 2,000-year-old story of a Jewish holy man rising from the dead after a brutal crucifixion is expected to draw larger-than-usual crowds this year. …

Why all the interest?

A confluence of events, pastors, priests and others say, is fueling interest among seekers. Mel Gibson’s blockbuster motion picture, “The Passion of the Christ,” renewed media interest in Jesus and other Bible personalities, and the publication of the latest book in the “Left Behind” series, in which a triumphant Jesus returns to Earth, seem all but certain to boost attendance at Easter services.

Yes, all kinds of newspapers are doing stories that reference the Passion movie and then figure out what it all means.

* The Washington Times asks
if this means that Easter, the most important Christian season, is somehow catching up with the most commercial season, which is Christmas.

* Many newspapers are trying to exegete the Passion to yield information about subjects that journalists really care about — such as politics and media. The Miami Herald ranged all over the map on such a quest, including a gaggle of professors who predicted the rise of “another Jesus for the new millennium: Jesus the celebrity, whose disciples come to know him through film or other visual media.” That’s really going out on a limb.

* Cathy Lynn Grossman of USA Today also focused on the visual, probing a solid story linked to this film — the fact that it’s highly charged Catholic images are shaking Protestant viewers, who tend to focus on words while avoiding works of religious art.

“Many evangelicals today are unaware of the debates from the Reformation days and may not recognize the explicitly Catholic elements in Gibson’s movie,” says the Rev. Albert Mohler, president of the Southern Baptist Theological Seminary in Louisville.

“Evangelicals love to be moved. They are caught up in the imagery and its powerfully sentimental piety.” But after the movie, they go back to churches without any representational art “to hear preaching and sing hymns — the words that declare the resurrection of Christ,” Mohler says.

Obviously, I could go on and on. And what, you ask, is my personal take? Ask me in a few years. But this much I know. Americans on the cultural left have all kinds of superstars to cheer for and embrace. Cultural conservatives have almost none, when it comes to A-list Hollywood. Mel Gibson has given them a big hug and they are hugging him back. You can take that to the bank.

Maxim asks the question (sort of): Is marriage hot?

We will assume for a moment that GetReligion readers are an educated, modest lot. Thus, the odds are good that you have not heard of Maxim, which is kind of like an Esquire magazine for young males with the attention spans of hummingbirds on cocaine.

Or perhaps it is Cosmo for guys. You get the picture. Actually, you would get lots of pictures since magazines for modern young males contain very few words, at least many in 12-point type and in long sentences. Anyway, Maxim is not Playboy, but it’s certainly not going to get the Focus on the Family seal of approval anytime soon.

Once a year, in an event that makes journalists at cable-TV entertainment channels all a twitter, Maxim publishes its “Hot 100,” a list of the hotties that would top the fantasy list of the typical Maxim guy. This leads straight to VH1 documentaries and the whole works. It’s a sign of what is hot in the California and New York zip codes in which important people decide what is hot and what is not. This is also linked to being cool, or something like that. For more info, click here.

Maxim says all of the women on the list have one thing in common: that their careers promise even greater things to come. . . . “We single out beautiful women whose careers are on fire,” said Maxim Editor-in-Chief Keith Blanchard. “The selection process is top-secret and extremely labor-intensive. We have two interns working fulltime just keeping our wives and girlfriends out of the room.”

Anyway, what does it say that this year’s No. 1 Maxim hottie is Jessica Simpson, a born-again Christian, the daughter of a Baptist youth minister and the blonde bombshell who made headlines by getting married as a virgin? (And No. 2 is Beyonce Knowles, who also talks about her faith from time to time.)

Now, I realize that Jessica and Nick’s Newlyweds reality show is not going to be promoted on Focus on the Family, either. But this is still an interesting development. I don’t know if it means anything in the long run, but it’s interesting. Might romance and marriage become cool? Or even hot?

Jessica is seven notches higher than Paris Hilton, just to give World Wide Web junkies a point of reference. And Jessica is happy about this, quite naturally. It may help sales of her book, “I Do: Achieving Your Dream Wedding.”

Simpson . . . said of her No. 1 status, “It’s such an honor to be chosen as No. 1 on Maxim’s Hot 100 list. I’m such a girl’s girl, so it’s nice to get the stamp of approval from the boys. It’s way better than being number 101.”

Well, duh.

TV religion coverage is up, but is that automatically a good thing?

Through the years I have attended my share of conferences and seminars about the status of religion coverage in the mainstream press. This is what I do.

Anyone who does these gigs is going to hear lots of common themes. If the academic or media gathering is broad-minded enough to feature voices from the cultural right, one can guarantee hearing — within the first five minutes — a mantra that sounds something like this post-Passion news critique:

In short, the media have taken a burst of passionate Christian enthusiasm for an orthodox movie, and responded with an increase of religion programming that too often dismisses rather than debates that very orthodox vision. When surveys of the national media have shown that half of journalists are religiously unaffiliated and 86 percent never attend church or synagogue, it’s not a surprise that they just don’t get it.

Of course, there are agnostics who can read demographics and history and do a great job on the God-beat. And there are lots of believers who can’t write or report their way out of a paper bag. The point is that there are plenty of journalists who don’t “get religion” for a variety of reasons. That’s a given.

This particular quote comes from the end of a new column by the conservative critic L. Brent Bozell III of the Media Research Center. In its latest 12-month study of religion news on ABC, CBS and NBC, the center found that the number of stories has more than doubled from a similar study done in 1993 — from 336 stories a decade ago to 699 last year. The center decided, however, that these numbers held a paradox — more religion news, only with “less religious context.”

text

As a practical concern, it’s easy to see why the story count is up. All kinds of interesting things have been going on, from the viewpoint of elite journalists on the coasts. Waves of news reports about the potential horrors that might be unleashed by “The Passion of the Christ” followed increased coverage of Catholic sex scandals, religious themes in the age of terrorism, Pope John Paul II’s 25th anniversary and the election of Gene Robinson (right), the first openly noncelibate gay bishop in the small, photogenic and influential U.S. Episcopal Church. The researchers noted:

The hottest Protestant story of the year was the installation of openly gay Episcopal bishop Gene Robinson, but reporters on that story treated it as a milestone against discrimination, focusing on its political impact, not its scriptural or theological implications. Most of the TV time on the happy-talk morning shows went to Robinson and his supporters (ten interviews to just one for an opponent). Just like in other political stories on the gay issue, the labeling was very imbalanced, since Robinson’s critics within the church were described as “conservatives” 42 times, but Robinson’s supporters drew just five “liberal” labels. Robinson himself was so revered that not once was he ever described as either “liberal” or even as an “activist.”

But there is more to this God-beat trend than a few major stories. Bozell noted increased signs that mainstream journalists are, in addition to covering disasters and celebrations, trying to tap into a rising tide of interest in “spirituality” and even “faith.” This has been happening for years in print media and it now may even break into television news, a zone in which there are zero God-beat specialists.

What can we expect this coverage to look like? Will any increase automatically be a good thing, for those of us who care about picky, factual things like the history, rites and doctrines of the major religions? Will all faith fads and trends be created equal? Bozell does not think so and he has his reasons.

Progressive religious fads often emerge from academia, where professors can be located to tout ­ as the most credible, objective, social-scientific findings ­ loopy conspiracy theories like “The DaVinci Code” or phony “gospels” that teach Jesus was less like God and more like a profound Grateful Dead groupie. Sadly, the media’s Rolodex of religion experts was dominated by academics who are hostile to religious orthodoxy. They are never described for the viewer at home as boutique liberals or hard-line secularists.

Personally, I think the number of hard-core secularists out there could all fit in the faculty lounge of the poli-sci department of your local tax-dollar-funded state university. What is more interesting is what is happening among the elite thinkers — from Harvard to the New York Times — who are obviously pro-spirituality, but they are anxious to divide the world up into good, tolerant religious believers and bad, doctrinal religious believers. Yes, reporters could ask Dr. James Davison Hunter about this trend.

Years ago, at one of those private, God-beat seminars, I heard a religion scholar make an interesting statement. She said that one of the man reasons that journalists needed to improve religion-beat coverage was to “undercut Judeo-Christian hegemony” in American life. An executive from a giant newspaper chain was not so sure about this. He said that he thought that the reason journalists should strive to improve the work on this beat was to do a “better job of covering the lives of our readers.”

These are radically different motivations and, if acted on, would lead to radically different kinds of coverage. I think this tension is part of what Bozell was seeing in the television-news coverage over the past 12 months.

This is one case where I would cast my vote with the newspaper executive.

Kill da wabbit: Yes, we saw the Easter bunny scourging story

One of the challenges that veteran God-beat reporters face is finding a way to send something new and fresh to their editors during the annual holiday seasons. Now, you could get away with quirky and strange stories during the Christmas season because, you know, that’s a cultural thing. But journalists have tended to play it straight during Holy Week and Easter, along with the heavy seasons in the other world religions. Seen any funny Yom Kippur or Ramadan stories?

With that introduction, let me assure you that numerous GetReligion.org readers have sent us copies of the following Associated Press story. Yes, we have seen it. No, we have nothing that we want to say about it, other than what I just said. Clearly, the rules are changing for Holy Week and Easter coverage. Here is a chunk of that AP report from Glassport, Pa.

First, the Passion of the Christ. Now, the torment of the Easter Bunny?

It may not have been as gruesome as Mel Gibson’s movie, but many parents and children got upset when a church trying to teach about Jesus’ crucifixion performed an Easter show with actors whipping the Easter bunny and breaking eggs.

People who attended Saturday’s show at Glassport’s memorial stadium quoted performers as saying, “There is no Easter bunny,” and described the show as being a demonstration of how Jesus was crucified.

Melissa Salzmann, who brought her 4-year-old son J.T., said the program was inappropriate for young children. “He was crying and asking me why the bunny was being whipped,” Salzmann said.
Patty Bickerton, the youth minister at Glassport Assembly of God, said the performance wasn’t meant to be offensive. Bickerton portrayed the Easter rabbit and said she tried to act with a tone of irreverence.

I think we will cut things off at that point. Although, now that I think of it, AP clearly showed restraint in the reporting of this story. Obvious questions remain that journalists would want to know. With what was the wabbit whipped? What color was the bunny suit? Was the bunny in chains?

This blog item is brought to you without art, for obvious reasons.

Strike a pose: Trying to catch up with Godbeat stuff

Well, my column is out for the week and my classes are done for the day. This is Holy Week, of course, and for the Orthodox that basically means we live at church. It’s a beautiful time, though hectic. There are so many stories that I want to point out and comment on from the past few days that I don’t even know where to start. I’ll try to catch up.

• The Washington Post ran a wonderful story by Joel Achenbach about a new collection of columns, essays and news stories by the late Michael Kelly, a journalist who was highly sensitive to religious themes and content in the news.

Apparently, Madelyn Kelly keeps finding notes all over the place from her late husband — signs of what he was thinking, what he wanted to write about, perhaps hits at future pieces for Atlantic Monthly. The Post article opens with one such smudged Post-it note in some kitchen papers that said simply: “Death of the 3rd God (Marx/Freud/Darwin).”

Try to imagine that one making it into print.

• The art gods at the New York Times recently got interested in Orthodox iconography, first in a major feature story and then, strangely enough, in a stand-alone editorial. No pun intended, as you will see.

Part of me wanted to cheer. Part of my was totally mystified by what they wrote. For example, what can we make out of this conclusion?

How viewers move through the galleries seems especially striking at “Byzantium” because the exhibition itself abounds in symbolic poses. The 300 years represented in “Byzantium” capture a spiritual and artistic impulse radiating outward from Constantinople, which, after 1261, was again the center of the Orthodox Church. That impulse echoes in image after image from across the Byzantine world. Throughout the galleries, iconic Virgins gesture toward the infants they hold in their arms. The gestures vary, but each specific pose expresses a different state of being, a different projection of authority and grace. It’s as though one could become a different person by choosing to point with the left hand rather than the right.

And there, in front of a 14th-century icon, stands a young woman — a visitor — trying out the open-handed gesture that Mary uses to point to her son. As the young woman adopts that posture her head tilts slightly to mirror the tilt of the Virgin’s head. We are so used to the word “iconic” that we forget how forceful the stylization of actual icons can be. But it isn’t merely the formality of the poses that makes these images iconic. It’s their emotional radiance, the astonishing difference that a hand held this way — or that — can make.

My first reaction is cynicism. Are we supposed to sing along with Madonna (the other one): “Strike a pose”?

Then I stop and think: Am I being fair?

• How lazy can I get? Check out the excellent Christianity Today weblog summary of what the major news magazines are doing this year during Holy Week. What’s the problem? They have already had to put Jesus on the cover during the media blitz for “The Passion of the Christ.” So what’s left? Click here.

But speaking of the Passion, as in the real one, special interest should be paid to David Van Biema’s “Why Did Jesus Die?” feature at Time. Here are the money paragraphs that frame this strong and serious piece:

And what will they take away from this unusual dovetailing of Christ narratives? It’s always dangerous to predict religious behavior, but it seems likely that before traveling into the uplifting realms of Easter Sunday, they will spend a little more time in the dire valley of Good Friday. When the Roman Catholics among them hear the priest recite the verse from Isaiah — “He was wounded for our transgressions … by his stripes we are healed” — they may remember that it was with those words that Gibson commenced his reimagining of the scourging of Jesus. When many Lutherans engage in the meditative adoration of the Cross and when congregants at even the least liturgical Protestant churches sing, “Let the water and the blood/ From Thy wounded side which flowed/ Be of sin the double cure,” they too may more vividly imagine the Cross and the blood. And they all may be more inclined to ponder a question whose answer at first seems as though it should be as simple as “Jesus loves me, this I know” but in fact has divided theologians and clergy for centuries, with no end in sight: Why did Christ die?

That is, not who (on earth) killed him or even exactly how much he suffered. But what was the cosmic reason for his agony? What is its purpose, its divine calculus? How precisely does his death, usually referred to in this context as the atonement, lead to the salvation of humanity?

This is, quite frankly, the kind of highly reflective religion-beat piece that Time once offered all the time. Kudos.

• I think Richard Ostling has decided that the Anglican warfare over sexuality and the sacraments is a GLOBAL, rather than a strictly domestic, news story. Check out this lead from last weekend:

The spokesman for bishops who claim the leadership of a majority of the world’s Anglican Christians denounced the gay rights policies of the Episcopal Church in the United States … after a two-day caucus in Atlanta with U.S. conservatives.

Archbishop Peter Akinola [pictured] said the future of true Anglicanism in the United States lies with conservative groups within the Episcopal Church that oppose gay marriage and the church’s approval of an openly gay bishop.

And who is this man and why does he deserve this kind of play in an Associated Press report?

Akinola leads Nigeria’s Anglican Church, which has 17.5 million members, and the Council of Anglican Provinces of Africa, a continent that includes half the world’s 77 million Anglicans. He is also the spokesman for “Global South” archbishops who have severed normal ties with the Episcopal Church.

• Surely this is a sign of the times — on several levels. The British edition of Cosmopolitan has decided that there is more to life (perhaps even eternal life) than sex and credit cards. According to the religion writer at UK Reuters, Tom Heneghan, this is another signal that a shopping-cart approach to “spirituality” is catching on and may even be as important as multiple orgasms:

“I’ve come to the painful realisation that men and shoes are not enough to make me happy,” Hannah Borno, the magazine’s new Spirituality Editor, wrote in the March edition. “The key to true contentment lies elsewhere.” …

As in many other European countries, this new search for spirituality has nothing to do with established religions, which these days attract only a small fraction of the population.

“We’re looking at spirituality rather than organised religion, because that’s where there seems to be a demand from our readers,” Borno explained. “They want something a bit more alternative.”

The article did not address a crucial question: Will this trend affect negotiations in the global Anglican sexuality crisis?

• Now this one is totally silly. I think. Through a cooperative online effort, the Methodist Church in England and the Christian satire site called ship-of-fools.com have selected (sort of) an 11th Commandment. Check out the five winners. So are these actually 11-15?

Thou shalt not worship false pop idols
Thou shalt not kill in the name of any god
Thou shalt not confuse text with love
Thou shalt not consume thine own body weight in fudge
Thou shalt not be negative

You can insert your own wisecrack or alternative commandments at this point.

Maybe David Samuels really does read GetReligion

davidsamuels.jpgI think Doug and I now know what we want for Christmas. We want a blog software package that prevents people from making anonymous posts in the “comments” pages.

Actually, that isn’t quite right. At the moment we are trying to figure out what to think of a comment that was left in response to the recent post titled Creeping Fundamentalism V: The gospel of the New York Times. The problem with this post is not that it is anonymous. It isn’t. It is signed by “David Samuels.” The problem is that the writer did not attach an email or a URL that would allow us to confirm that this is THE David Samuels (pictured). And, in this case, that matters. Doug was able to confirm that this comment came from an IP address — 24.193.192.15 — that did not match the address used by both “Paul Tillich” and “James Pike.”

So we think this really is David Samuels. Here is the post:

I am writing because I’m sick and tired of seeing a paragraph plucked from my five year old story for the Times Magazine on James Kopp being passed around on message boards like this one as an example of insidious liberal rationalist bias in the media. Read in context, the paragraph in question was clearly meant to provoke and unsettle my liberal friends who believe that sincere sacrifice in the name of a higher good — like revolution, or equality, or saving lives — is ALWAYS right, against which I presented the counter-example of James Kopp, a man who was undoubtedly sincere, and was also undoubtedly a killer (he pled guilty), and — as far as I can tell — sincerely crazy. I honestly don’t what degree of relativism makes the moral universe of the liberal elites go ’round — I grew up in a religious family, and still consider myself a religious person. In the context of my portrait of Kopp, I was quite clearly mocking the “shared but unspoken premise” that you seem to take for some kind of in-group wink-wink among journalists. I don’t think anyone could reasonably read what I wrote without coming away with a pretty complex portrait of James Kopp as a tortured human being in the grip of an ideology that sanctioned murder as a response to what it portrayed as the murder of the unborn. I also don’t think you’ll find a more sympathetic portrait of the men and women of the anti-abortion movement in the history of the New York Times.

Now that may not be saying all that much, but it might be interesting to go back and read what I actually wrote instead of waving my ancient paragraph around as a token of how sinned-against religious believers are in the media.

Posted by: David Samuels | April 5, 2004 12:25 AM

This is in reaction to my use of a 1999 quotation from a New York Times magazine feature written by one David Samuels in which he unfolded the story of an anti-abortion activist who had veered far outside the mainstream pro-life movement and into deadly violence. The quote in question came near the end:

It is a shared if unspoken premise of the world that most of us inhabit that absolutes do not exist and that people who claim to have found them are crazy. … Perhaps sacrifice in the name of a higher good — God, Marx, freedom or whatever the good of the moment happens to be — is admirable only as long as you support the cause. Or perhaps, in the absence of absolutes, we must judge beliefs not by their inherent righteousness but by their visible consequences.

Actually, I would join Samuels in encouraging everyone to go read this story for themselves — even if that means spending some money to do so.

It is ironic that my view of the article is similar to that of the writer. I agree that he is taking a jab at all kinds of people who embrace moral absolutes, including those on the left. That is why I always use the second half of his quotation, instead of quoting him as saying, “It is a shared if unspoken premise of the world that most of us inhabit that absolutes do not exist and that people who claim to have found them are crazy,” and leaving it at that.

It is also true that his article dug deep into the mind of this conflicted, crazed anti-abortion activist, in a manner that can be called sympathetic. Then again, many would question whether it was fair to say that James Kopp in any way represented the mindset of the pro-life movement. Was this another case of guilt by association?

Finally, I can see that Samuels is gently mocking the views of his “liberal friends” in elite zip codes. Of course, it is hard to mock an attitide without saying that it exists. And it helps if one states it plainly. Which he did. And we thank him for doing so.

Communion most foul: How not to use a cellphone in a holy place

This is the kind of brief “news” story that makes me (a) laugh out loud and then (b) once I have laughed out loud, a wave of depression crashes in and I am tempted to rethink my opposition to the death penalty.

I work and teach on a university campus, which means that I spend untold hours watching young people use cell telephones and meditating on how these devices are changing our lives. Pop test: name creative ways that cellphones (with digital cameras) might be used to cheat on tests. Anyway, it is in this context that I pass along this item from The Living Church. I cannot provide a URL for this because a friend (a recovering Episcopalian stuck with a lifetime subscription) scanned it in. This comes from an organist-choirmaster in a parish that was not named (for obvious reasons):

When it’s time to receive communion, it is our custom for the choir to communicate first, so here we are, all kneeling at the communion rail, me last in the far corner of the L-shaped rail. Five or six people removed from me, and around the corner of the L at an angle from which I can see and hear everything, is one of my basses. As we await our turns, from deep within the folds of his choir robe, this fellow’s cell phone announces its presence by playing a spirited version of the opening measures of the Finale of the William Tell Overture. By the second — extended — playing, he has fumbled through the ample recesses of his garment (he is a large man) and extracted the offending instrument. He mutters a few words into it, closes it, redeposits it in the depths of his robe, and receives the wafer on his tongue.

I am appalled but think, “Well, that ends that.” No. The best, as the saying goes, is yet to come. As the chalice bearer approaches, this dolt’s phone rings again. Experience being the best teacher, he answers on the first ring but this time begins a conversation! As the chalice arrives, he says (I’m not kidding), “Wait a minute; I’m taking communion” — the chalice-bearer is standing there, waiting patiently — and takes the phone away from his ear. With his other hand, he guides the chalice to his lips, takes a hurried swig, and returns to his phone conversation.

There isn’t much else to say. But I sense a Washington Post Style cover story on the way! I wish I could write it myself. So this raises the GetReligion reader-response question for the week (or at least for today, maybe, I may ask another): What is the worst cell-phone sin that you have witnessed in a religious sanctuary?

Come on people, you can do it. Pitch in and we can top the comment total for “When bad music happens to a Good God.”

A story? Mary’s role in the Passion movie hitting a nerve

textAn Orthodox priest friend of mine offered an interesting observation, in response to the Harvard Divinity School’s pseudo-academic panel discussion about Mel Gibson’s “The Passion of the Christ.” He writes:

I was struck today in a conversation with one of my catechumenal families who had just returned from seeing the Passion. The question came up, “Did you cry?” The answer was “a little,” but with addendum, “Whenever there was interaction between Jesus and his mother.”

I thought this was insightful, also because I thought the film, inter alia, gave a good treament of that relationship. And the comment was correct — the portrayal of that relationship makes you weep. Why? It would be a good discussion starter for protestant/catholic/orthodox on the topic of the Theotokos.

You know what? I have talked to lots of people who have had precisely the same response. There are people who are moved by the whole film and then there are many people whose reactions are more complex. They admire parts and reject others. They find some parts of the film over the top and deeply flawed, while other parts are — no doubt about it — quite moving.

And, even among Protestant friends, I have heard people say that the moments that grabbed their hearts had to do with Mary — the flashback to Jesus falling as a child, the sight of Jesus bravely pulling himself back to his feet under the lash, when he realizes his mother is watching. Then there is that final Pieta shot that defines the whole movie.

Putting my reporter’s hat back on for a moment, I wonder if there is an uncovered story here, a news story more nuanced than the black and white critical and political responses. All along, I have been waiting for the Protestant shoe to drop, so to speak. Mel Gibson’s film is soaked in old-fashioned Roman Catholic images and themes, which is one of the reasons it is so profoundly offensive to many American Catholics. They know what they are seeing.

Yet many evangelical and even fundamentalist Protestants DO NOT know what they are seeing. Yet they are moved all the same. Why is that?