Ugh — when ‘reality’ TV looks inside clergy homes

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I know, I know. “The Sisterhood” is a reality television show about pastors’ wives.

I know, I know. That piece on the Style page at The Washington Post — “‘The Sisterhood’ is more religious entertainment than reality TV” — is primarily a review of this alleged fact-based reality show, not a true news feature about a serious issue in church life.

What we are talking about, of course, are the glass houses in which most clergy families live. This is delicate, serious territory.

All that aside, I actually would like to praise this Post piece for noting several serious holes in this oh-so-unreal reality show.

However, GetReligion readers will not be surprised to learn that the article does not spotlight the fact that the show is — despite focusing on the lives of Atlanta-area preachers’ wives — almost completely lacking in content about the beliefs of these women or the practice of their faith.

Right up front, readers are told:

“The Sisterhood” is a new reality show on TLC about pastors’ wives in Atlanta. The city is the spiritual home of Martin Luther King Jr.’s ministry and the show promises a rare window into the lives of several “first ladies.”

So far — we’re four episodes in, halfway through the inaugural season — a pastor has given his spouse a pair of handcuffs, a first lady has pointed out the first house where she smoked crack and there’s been a nice chat about sexually transmitted diseases.

Can we get a fan in the first pew? This is so not mama’s sweet hour of prayer.

More on those handcuffs in a minute, since that’s a rather important plot twist that gets mangled.

The key is the whole National Geographic-explores-strange-people approach that is given to what the creators see as an exotic and mysterious niche culture in American life. Right, this is a land in which pastors, priests, rabbis, imams, etc., are out of the mainstream.

So what, precisely, is the edgy Bible Belt niche explored in this series? That’s where the key racial and doctrinal elements come to the forefront, creating heat and controversy:

None of these first ladies are at major denominational churches, such as Baptist, Catholic, Episcopalian or Methodist. Instead, they’re all at what are loosely known as “prosperity churches,” with names like the Oasis Family Life Church, Emmanuel Tabernacle, Work with Wonders and The Good Life Ministry. Two of the couples were between churches during filming.

Actually, “Episcopalian” is a noun and the adjective form of this word is “Episcopal,” but never mind. Let’s continue, since is the point where the Post team offers some serious information to readers. This is the heart of the report:

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GetReligion turns nine; Newsweek sort of vanishes

So once again, with feeling.

Nine years ago today, the Rt. Rev. Douglas LeBlanc clicked a mouse and GetReligion went live. As I have noted before, I actually wrote the “What we do, why we do it” post on Feb. 1, 2004, but the site opened its cyber-doors the next day, on Feb. 2, 2004.

This kind of anniversary landmark tends to inspire meditations on the passage of time (and a GetReligionista or two will jump in with anniversary thoughts in the next few days). So what is on my mind this year?

Well, how about this: Newsweek, Newsweek, Newsweek, wherefore art thou Newsweek?

Let’s start with a confession or two.

I was a loyal Newsweek (and Time, as well) subscriber for several decades, until theologian-in-chief Jon Meacham openly and honestly decided to run off a million or more of his readers in order to re-brand his struggling magazine as a more elite and openly progressive advocacy operation. At the time, I observed that this mystified me. I mean, I already subscribed to The New Republic. Why would I want Newsweek to take the same approach to the news?

It was pretty obvious that issues linked to religion and faith were at the heart of this Newsweek lunge to the journalistic left. I wondered, out loud, if Newsweek was simply trying to become the World Magazine of the religious left.

Whatever. It didn’t work. Meacham left and Newsweek drifted into another brief era, one in which editor Tina Brown tried to keep the advocacy thing going, while featuring voices on the right as well as the left. The key, however, was that opinion and heat was more important than journalism, more important than reporting and clearly attributed information.

All I knew was that, with the magazine’s ties to The Daily Beast, I needed to start paying attention to Newsweek once again — because that was where I would find the religion, politics and culture reportage of one of the best journalists on the planet, Peter Boyer (best known for his years of work at The New Yorker). So I bought another subscription.

Well, that didn’t last long.

For me, the key was that Newsweek — along with most of the work published at another Meacham-DNA platform, “On Faith” at The Washington Post — came to symbolize the belief that the best way for journalists to handle religion coverage was to baptize it in emotions, feelings and opinions, as opposed to striving for a journalistic blend of history, factual material and clearly attributed quotations from qualified people on both sides of hot-button issues.

Religion, in other words, was not real.

Religion was not worthy of real journalism. Religion was interesting and powerful, but there was no need to think of it as an issue linked to real life in the real world. It was sort of, well, hazy, vague and foggy. In a GetReligion post about “On Faith” (“On Fog” — A Meditation), I noted:

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BBC probes Johnny Cash’s vague interest in redemption

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The late Johnny Cash was a lot of things at the same time, which has often left journalists a bit confused about the sources of his remarkable passion and creativity. For starters, the man ended up in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, the Gospel Music Hall of Fame, the Nashville Songwriters Hall of Fame and the Rockabilly Hall of Fame. I think that covers most of the bases. Did I miss a hall of fame or two?

Anyway, I think Cash did a great job of covering the essentials when he was asked to describe his tastes in music:

“I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And mother. And God.”

That has to be one of the Top 10 music quotes of all time. That says it all. That’s Johnny Cash, right there — saint, sinner, whiskey, anger, grace and all.

Anyway, the venerable BBC took a shot, the other day, at a truly newsworthy subject — trying to describe the legacy of Cash and his art in terms of his impact on the movement to reform U.S. prisons. The goal was to get past the legendary concerts at Folsom Prison and San Quentin and look for the roots of Cash’s activism. Here’s one of the summary passages:

Fitting the gigs in around his relentless touring schedule, the “Man in Black” performed for inmates all over the US, always unpaid, and in the process, became a passionate and vocal spokesman for prisoners’ rights. …

The roots of Cash’s empathy lie as far back as 1953, when as a 21-year-old radio operator in the US Air Force, he saw the film Inside the Walls of Folsom Prison and was inspired to write a song. Folsom Prison Blues, released two years later, after Cash had signed to Sun Records, turned the young singer into a star.

The song, and in particular the now-notorious line “I shot a man in Reno, just to watch him die,” was sung with such raw menace that many assumed Cash knew what he was talking about. …

This is one of the ironies of Cash’s prison reform crusade. The very thing that made convicts connect with him, and US senators hang on his every word — the air of authenticity that stemmed from the belief he had served hard time himself — was in reality a misconception.

This story captures the rough and flawed side of Cash’s story, the grim realities that stuck him in quite a few jails for overnight visits following rampages linked to alcohol, rage, drugs and a variety of other weaknesses. For the BBC team, that seemed to be the heart of the Cash story.

Well, it’s half the story. Want to guess the side of Cash’s life that didn’t make it into the story, other than one or two timely hints?

Cash, you see, was seeking more than prison reform. He was shooting at a bigger spiritual target. Here’s the chunk of this story that comes the closest to hitting the mark. The key voice is that of biographer Michael Streissguth.

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Religion as code language in the French press

Time for a round of the “name that famous film quote” game.

Don’t you see the rest of the country looks upon New York like we’re left-wing, communist, Jewish, homosexual pornographers? I think of us that way sometimes and I live here.

Alvy Singer, Annie Hall (1977)

When is a newspaper’s reference to religion not a reference to religion? When it is in a French newspaper, of course.

Reader Thomas A. Szyszkiewicz forwarded a story to the GetReligion website with a link to a news story from France 24, the English-language French state broadcaster.  The article reported that Esther Duflo, an economics professor at MIT and native of France, had been appointed by President Obama to a U.S. government post.

The lede to the France 24 story entitled “Renowned French economist to join Obama’s team” reported:

France’s Esther Duflo, a world renowned economist, has been nominated by US President Barack Obama to join a government body dedicated to advising the administration on global development policy.

Have you picked up the fact that Esther Duflo is French? France 24 did not want that titbit to slip by (though the side bar to the story does note she has lived in the US for18 years and has taken American citizenship.)

In his note, Mr. Szyszkiewicz wrote:

I find it interesting that religion is raised in the 4th paragraph. Not sure what to think of it.

GetReligion’s editor, tmatt, passed the query on to me for action. The pertinent passages noted by Mr. Szyszkiewicz read:

Duflo, who was raised in a “left-leaning Protestant” family, said she became aware of economic divides and social injustice at a very early age.

“I was always conscientious of the gap between my existence and that of the world’s poor,” she told weekly French magazine l’Express in a January, 2011 article. “As a child, I was extremely troubled by the complete randomness of chance that I was born in Paris to an intellectual, middle class family, when I could have just as easily been born in Chad. It’s a question of luck. It inspired in me a sense of responsibility.

Now, I have no knowledge of the inner workings of the mind of the author of this article, but I believe I can speak to how this passage could be interpreted from a French reader/writer perspective.

From an American perspective, the mention of a person’s religious background, or faith, can be an important component of the story — a way of helping the reader in a highly religious culture comprehending the actions, motivations and personality of the subject of a story. Many of GetReligion’s articles address touch upon this issue — critically when a story omits mention of the religious or faith-based component of a story, or in applause when a reporter gives flesh to a “religious ghost” in a story.

Is that the case here? Is France 24 telling us something about Esther Duflo’s religious upbringing that informs her economic theories?

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Everything you know about Christmas is wrong

George just posted about an old story being rehashed for Christmas, which reminded me that the regular attempts to debunk Christianity around its holy days has become my favorite tradition. What would Christmas and Easter be like without a semi-blasphemous newsweekly magazine cover questioning some central tenet of the religion?

All that to say that the Washington Post‘s piece the “The Evolution of Holiday Celebrations” is a decent entry into the genre.

It’s in the Style section, so all expectations are lowered, of course. It says stuff like this:

Early Christians did not celebrate the Nativity. Christianity had been around for more than 350 years before the church fathers in Rome decided to add that event to the Christian calendar. They did so in part because many Christians were arguing that Jesus had not been an actual human being but rather a divine spirit — a belief the church fathers considered heretical. What better way to convince Christians that Jesus was human than to commemorate his physical birth? The problem was that there was no evidence of when Jesus’s birth took place. (Neither Luke nor Matthew, the two gospel writers who included stories of Jesus’s Nativity in their narratives, had indicated the date, or even the season, of the event.)

Is it most accurate to say “many Christians” argued that Jesus wasn’t human? Is that really the central aspect of how the date for Christmas was chosen? That is a heresy that has been taught and continues to be taught but I’m not sure this is phrased the best way. As for the rest, it’s true that the Nativity was not celebrated by early-early Christians, but we also know that it was celebrated in a variety of locations well before the date was fixed. By 200 A.D., for instance, Clement of Alexandria is reporting that Egyptians have marked the date and the year of Christ’s birth. The thing was that different people were celebrating the birth on different dates. Why did it get pinned to Dec. 25? Was this a top-down effort to defeat gnosticism? Was the day something Christian laypeople noted that some church leaders tried to stop? Was it much more complex than a brief article in the Style section could broach?

The church fathers decided to place the new holiday in late December, virtually guaranteeing that it would be widely adopted because this was already a season of mid-winter revels, a holdover from pagan times. For the inhabitants of the Roman Empire, the holiday was called Saturnalia. This festival, which concluded on Dec. 23, was partly a holiday of lights that celebrated the winter solstice. But Saturn was the god of agricultural abundance, so his festival also marked the bounty of the completed harvest. Finally, the Saturnalia was a time of role reversals and seasonal license. Everyone took time off from ordinary labor. Slaves were granted temporary freedom and were treated by their masters to lavish banquets. The holiday was observed with feasting, drinking, gambling and sexual abandon.

Yeah, well, it’s certainly true that when the calendar was standardized, there was a push for Dec. 25 as the date to mark Jesus’ birth. But was this because it was a co-opting of Saturnalia? It’s certainly a theory. But Dec. 25 was one of the many dates being used by Christians to mark Christ’s birth and maybe not for the reasons you hear.

As I wrote six years ago (!) here at GetReligion:

Associated Press reporter Richard Ostling wrote about it a few years ago, first describing the theory that says Christians stole a pagan festival for Christmas. Then he cited other research, including Hippolytus of Rome’s Chronicle, written three decades before Aurelian launched Saturnalia, that says Jesus’ birth “took place eight days before the kalends of January,” that is, Dec. 25. He speaks with William Tighe, a church historian at Muehlenberg College:

Tighe said there’s evidence that as early as the second and third centuries, Christians sought to fix the birth date to help determine the time of Jesus’ death and resurrection for the liturgical calendar — long before Christmas also became a festival.

The New Testament Gospels say the Crucifixion happened at the Jewish Passover season. The “integral age” concept, taught by ancient Judaism though not in the Bible, held that Israel’s great prophets died the same day as their birth or conception.

Quite early on, Tighe said, Christians applied this idea to Jesus and set the Passover period’s March 25 for the Feast of the Annunciation, marking the angel Gabriel’s announcement to Mary that she would give birth. Add nine months to the conception date and we get Dec. 25.

It doesn’t matter. Almost everyone believes something else.

The story also tackles Hannukah:

In recent times, Hanukkah, too, has largely become a child’s holiday. Many Jewish parents give their children seasonal presents as abundant — and expensive — as those received by their Christian neighbors.

And with Hanukkah as with Christmas, a vestige remains of older mid-winter festivals. This is the dreidel, a four-sided top that resembles the familiar six-sided dice and is used in similar fashion to determine how much money (or Hanukkah “gelt”) the player receives — or owes. Thus Hanukkah, originating as the celebration of a military victory, now incorporates a host of other rituals: the commemoration of a divine miracle, a seasonal celebration of light and harvest, a focus on children and even a hint of mid-winter revelry.

Over the centuries, through all those historical accidents, Hanukkah and Christmas have come to look a lot like each other.

They don’t really look much like each other, obviously, but is the dreidel just a game? It’s origin isn’t exactly known but when I was in Israel, I was told that it hearkens back to a game developed by Jews to hide the fact they were studying the Torah. During one period of their history, the penalty for teaching the Torah was death. Jews would gather in caves to study and were pretending they were gambling if spotted by soldiers.

But more than anything, it’s not what is in the article that is so bothersome but what’s left out. Or how what’s in the article is treated so flippantly. Did Christianity just happen onto the idea of Jesus being the Christ? Isn’t the Nativity story a central element of the Gospels of Luke and Matthew? Even the Winter Solstice is treated as something of an historical accident. Was Hanukkah really just a holiday that morphed into something about light?

I wonder if part of the problem is that the author of the piece typically writes very accessible history books and that this breezy style works well when you have the time to flesh out more details but when you’re given just a few hundred words in the printed page, it comes off too glib, glossing over serious religious and cultural battles. That might be a function of editing as much as anything.

Hanukkah image via Shutterstock.

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2012: Top 10 religion stories of the year

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As we near the end of 2012 — can you believe we made it this far!? — the time has come for the Top 10 of everything.

For example, the above video (featuring four guys and a gal playing a single guitar and singing a really catchy tune) made YouTube’s Top 10 Trending Videos list, ranking No. 2 behind a Korean dude dancing “Gangnam Style.”

Meanwhile, members of the Religion Newswriters Association have determined their annual Top 10 Religion Stories of the Year.

I thought it would be fun to list the Top 10 in random order and let GetReligion readers vote themselves. So, please rank your Top 10 in the comments section (write-in votes are allowed). I’ll provide a link at the bottom for the actual RNA link, but wait and click it after you comment. (By the way, the Newtown school shooting occurred after the RNA ballot was prepared, so it’s not reflected in the below list.)

Anti-Muslim video — The circulation of an anti-Islam film trailer, “Innocence of Muslims,” causes unrest in several countries, leading to claims that it inspired the fatal attack on a U.S. consulate in Libya. President Obama, at the U.N., calls for toleration tolerance of blasphemy, and respect as a two-way street.

Contraception fight — U.S. Catholic bishops lead opposition to Obamacare requirement that insurance coverage for contraception be provided for employees. The government backs down a bit, but not enough to satisfy the opposition.

Kansas City bishop conviction — Monsignor William Lynn of Philadelphia becomes the first senior Catholic official in the U.S. to be found guilty of covering up priestly child abuse; later Bishop Robert Finn of Kansas City, Mo., becomes the first bishop to be found guilty of it.

Rise of the ‘nones’ — A Pew Forum on Religion & Public Life survey shows that “nones” is the fastest-growing religious group in the United States, rising to 19.6 percent of the population.

Romney’s Mormonism — Mitt Romney’s Mormon faith turns out to be a virtual non-issue for white evangelical voters, who support him more strongly than they did John McCain, in the U.S. presidential race.

Same-sex marriage and denominations — Denominational votes The Episcopal Church overwhelmingly adopts a trial ritual for blessing same-sex couples. Earlier, the United Methodists fail to vote on approving gay clergy, and the Presbyterians (USA) vote to study, rather than sanction same-sex marriage ceremonies.

Same-sex marriage and states — Voters OK same-sex marriage in Maine, Maryland and Washington, bringing the total approving to nine states and the District of Columbia. Also, Minnesota defeats a ban on same-sex marriage after North Carolina approves one.

Sikh temple shooting — Six people are killed and three wounded at worship in a Sikh temple in suburban Milwaukee. The shooter, an Army veteran killed by police, is described as a neo-Nazi.

Southern Baptist black president — Southern Baptist Convention elects without opposition its first black president, the Rev. Fred Luter of New Orleans.

Vatican and the nuns — The Vatican criticizes the Leadership Conference of Women Religious, an umbrella group of U.S. nuns, alleging they haven’t supported church teaching on abortion, sexuality or women’s ordination.

After you rank your Top 10, check out the RNA results. HuffPost Religion’s editors also take a crack at the Top 10 religion stories.

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Coming soon to a TV near you: ‘The Bible’

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It only took 2,000-plus years, but ‘The Bible” is making news.

Seriously, both USA Today and the Wall Street Journal  ran features today on the epic miniseries scheduled to air next year on the History Channel.

From USA Today:

Famed television producer Mark Burnett tackles his projects with passion, but The Bible is a special labor of love.

The 10-hour, five-part docudrama, which premieres March 3 on the History Channel, will span the Bible from Genesis to Revelation, presenting some of its best-known stories, including Noah’s Ark, the Exodus, Daniel in the lions’ den and the crucifixion and resurrection of Jesus.

Former Touched By an Angel star Roma Downey, Burnett’s wife and fellow executive producer, heads a large international cast in the role of Mother Mary. Keith David, an Emmy winner for voice-over performances, will narrate with a musical score by Oscar- and Grammy-winning composer Hans Zimmer.

“In terms of importance, nothing we’ve ever done, not Touched By an Angel, not Survivor, not The Voice, not The Apprentice, none of this could possibly compare toThe Bible,” Burnett says. “To us, as a family, we love the Bible. This is not a TV show to us. It’s images and sound and sacred text that people will still watch, way after our grandchildren are old people.”

USA Today’s relatively short story appeared on the Life section cover and did not jump. Given its brevity, it left me with a number of unanswered questions — including details about Burnett’s faith background and exactly why he loves the Bible.

As this television event draws closer, I’d love to see more reporting — by Godbeat pros or otherwise — on the specific stories chosen, the facts portrayed and the biblical and historical accuracy (or not).

The Wall Street Journal provides a little more insight into Burnett’s motivation, but not much:

Mark Burnett made his name as the power behind such reality-television hits as “Survivor” and, more recently, “The Voice.” Now he is turning his attention to a different kind of TV: biblical.

Mr. Burnett is nearing completion of a 10-hour miniseries, “The Bible,” based on stories like Noah’s Ark and Daniel in the Lion’s Den. Scheduled to air next spring on the History Channel, the series is Mr. Burnett’s first effort in scripted television programming.

It is also a project close to Mr. Burnett’s heart. In the past couple of years the 52-year-old former paratrooper says he has become deeply religious, a transition he credits to Roma Downey, his wife since 2007. “It wasn’t until I met Roma that I truly understood my faith and it’s been a dynamic shift for me,” Mr. Burnett said.

Deeply religious? What exactly does he mean by that? What does he believe? And how does the miniseries reflect his beliefs?

The Journal doesn’t delve into such questions, but it does note:

In recent years Mr. Burnett and Ms. Downey have become friends with celebrity televangelist Joel Osteen, who preaches at a church in Houston that is home to the largest congregation in the U.S. Mr. Osteen is advising Mr. Burnett on the show.

“He’s been to [our church] several times and we come over to their house for dinner and things like that,” Mr. Osteen said.

Despite the short length of its story, USA Today managed to make reference to the Connecticut school massacre:

He hopes the project brings comfort after the Sandy Hook school shootings. “What happened Friday is absolutely the saddest tragedy imaginable,” Burnett says. “Our prayers are with the families and friends. We hope The Bible, by shedding some light into the world, can help in some small way to try and stop the darkness.”

Tell me, GetReligion readers: Does tying this miniseries to the fresh tragedy make the story seem more timely? Or does the reference impress you as a stretch? Or even pandering?

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The soul in Dave Brubeck’s jazz

YouTube Preview ImageJazz great Dave Brubeck died yesterday, a day before his 92nd birthday.  Along with much of the rest of the world, I was a fan. I have a sizeable record collection and found you could hardly go wrong with a Brubeck LP. I was curious how the obituaries would handle his sacred compositions and his religious life — including his reception into the Catholic Church.

In recent years, there has been some great journalism on this front. I first learned about this aspect of Brubeck from one of our own tmatt’s columns (from which I stole the headline above). It began:

Any jazz fan who has been paying attention at all during the past half century will recognize the quirky 5/4 riff that means the Dave Brubeck Quartet is swinging into its classic “Take Five.”

But there’s another tune the pianist keeps playing that is completely different. “Forty Days” opens with the haunting, chant-like lines that define the most famous piece in his first sacred oratorio, “The Light in the Wilderness.”

“Forty days alone in the desert, days and nights of constant prayer, seeking in the wailing wind an answer to despair,” sings the chorus, in verses inspired by biblical accounts of the temptations of Jesus. “Forty days of questioning: Why was he there, in the lonely desert? Forty days of fasting and prayer, searching for his destined role. …”

Through the decades, Brubeck has struggled to talk about the private journey that has defined his faith. In the program booklet for that 1968 cantata, he explained that he was “reared as a Presbyterian by a Christian Scientist mother who attended a Methodist Church.” He also stressed that three Jewish teachers shaped his life — philosopher Irving Goleman, composer Darius Milhaud and Jesus.

PBS’ inestimable Religion & Ethics Newsweekly reviewed Brubeck’s sacred works a couple of years ago in a deeply moving interview. Talking about a mass he wrote, interviewer Bob Faw asks him about his approach:

FAW: Sometimes, says Brubeck, the music shapes the text. Sometimes, he says, it’s just the opposite.

FAW: I heard you at one point say “my basic approach is to sing the text until something seems right.”

BRUBECK: Yeah, that’s it: “All my hope, all my hope is in you, oh Lord, you are my rock and my strength.”

FAW: As for those lyrics, it turns out that’s the realm of Dave Brubeck’s wife.

BRUBECK: My wife was driving, and I said, “I’ve finished this.” And she said, “No, you haven’t finished it.” And I said, “Well, what did I leave out?” And she said, “God’s love made visible. He is invincible.”

“God’s love made visible.” So that’s the way it finished.

The whole interview is about this, about how Brubeck’s religious music is transforming and a vehicle to communicating God’s desire that we love one another. Great stuff.

Or how about this Commonweal interview?:

IMC: Your entry into the Catholic Church was precipitated by your 1979 composition of To Hope! A Celebration, a musical setting for the Mass. Can you explain what about that experience was so influential?

DB: So often people will say that I converted to the Catholic religion. This is false. Although I was raised as a Protestant, I was never baptized and had never been a member of any church. I joined the Roman Catholic Church after I had written my Mass To Hope! A good friend of mine, Fr. Ron Brassard, told me that he loved the music I had composed for the Mass but I had omitted the Our Father, and he wanted me to write a musical setting for it. I answered that I had already completed the composition of the Mass and I couldn’t see a way to include what I then referred to as the Lord’s Prayer without interrupting the musical flow. I felt I’d successfully fulfilled my assignment from Our Sunday Visitor, the publication that commissioned the Mass. I definitely felt no motivation to start writing again. Since I had completed the composition, I planned a vacation with my wife and children. We were on a Caribbean island. During the night I dreamt the entire Lord’s Prayer with chorus and orchestra. I jumped out of bed and wrote down what I had heard as accurately as I could remember. Because of this event I decided that I might as well join the Catholic Church because someone somewhere was pulling me toward that end. Over the years I’ve had strong friendships with many priests. As a matter of fact, a group of Christian leaders from the National Council of Churches came to my house in the 1950s to ask me to write music for a Mass. I didn’t think I was ready at that time. So, in a sense, I guess joining the church and writing the Mass was a culmination of a long journey that is still going on.

The interview also has an interesting discussion of contemporary music in worship settings.

So how did the obituaries handle this? Well, while the Washington Post obituary is otherwise fantastic and well worth a read, there is no mention of Brubeck’s religious life (save an early mention of “choral works,” a late mention of “sacred music,” and, if we’re really being generous here, mentions of his advocacy for racial harmony and “being a clean-living family man who lived with his wife and six children”).

The New York Times obituary mentions that “his mother, Elizabeth, was a choir director at the nearby Presbyterian church” and that he composed a mass. As for religious content, we’re told:

As a composer, Mr. Brubeck used jazz to address religious themes and to bridge social and political divides. His cantata “The Gates of Justice,” from 1969, dealt with blacks and Jews in America; another cantata, “Truth Is Fallen” (1972), lamented the killing of student protesters at Kent State University in 1970, with a score including orchestra, electric guitars and police sirens. He played during the Reagan-Gorbachev summit meeting in 1988 and he composed entrance music for Pope John Paul II’s visit to Candlestick Park in San Francisco in 1987.

It did end with a nice quote:

Mr. Brubeck once explained succinctly what jazz meant to him. “One of the reasons I believe in jazz,” he said, “is that the oneness of man can come through the rhythm of your heart. It’s the same anyplace in the world, that heartbeat. It’s the first thing you hear when you’re born — or before you’re born — and it’s the last thing you hear.”

The AP obit has a few mentions of Brubeck’s religious work and his Christian faith. For much more on Brubeck and religion, read this American Catholic piece on him from a couple of years ago.

But I have to agree with the reader who said he hadn’t “seen much reporting on Dave Brubeck’s oratorios and other sacred music.” And that crucial bit about how he became Catholic? Good luck finding that.

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