A burp or a yawn? Either might signal an exiting demon.
So say Larry and Marion Pollard, the subjects of a 4,400-word D Magazine profile with the provocative title “The Exorcists Next Door.”
Let’s start at the top:
The trees and rolling hills lend a warm, suburban vibe to Marion and Larry Pollard’s West Arlington neighborhood. Shouts of children from a nearby elementary school waft in on waves of heat as you step inside the foyer of their comfortable ranch home, where you’re surrounded by portraits of the grandkids—eight of them, ranging in age from 5 to 22.
To the right is the Pollards’ office, looking like any pastor’s study, with a desk, a trio of chairs, and bookshelves lined with Bible commentaries. A box of tissues sits discreetly beside one chair. A football-sized terrier named Bella bounces in and nestles behind you when you take a seat.
You won’t hear bland Bible homilies in this place, however. The Pollards are exorcists, practitioners of an ancient specialty mostly lost since the early days of the church, and their job is to cast out demons. The demons come out through gagging and coughing and shaking and yawning, with minimal histrionics, because Larry “binds” the theatrical antics of demons, such as flinging bodies across a room. They call it gentle deliverance.
Pastors and Christian mental-health professionals from all over the country quietly refer clients they just can’t help to the Pollards, after trying everything. In the 15 years or so since the Pollards started their ministry, there has been no shortage of tortured souls.
For the next four hours, I will witness an exorcism—or, as they prefer to call it, “deliverance session”—and it will blow my mind. Not because I haven’t seen a deliverance before. I have, but it was while on Christian church missions in Nigeria and Botswana. I’ve never seen this: the juxtaposition of these plainspoken, ordinary West Texans and the Dantean drama that plays out in front of us, via the soft frame of a 38-year-old suburban mom we’ll call Ruth.
Writer Julie Lyons, whom Dreher describes as “a friend from my Dallas days and a heck of a writer,” approaches her subject with seriousness and respect — and even allows herself to become a part of the story (don’t miss the twist at the end!).
She complements her detailed narrative of what she witnesses inside the Pollards’ house with historical background and modern-day insight from theologians: