I keep saying this year after year, but it’s true. One of the greatest challenges for religion-beat specialists, season after season, is the long, steady march of feature stories that editors want you to produce linked to the major holy days in the various world religions.
Easter was always one of the biggest challenges for me, in part because it’s always on Sunday morning (or in the ancient churches, at the stroke of midnight and on into the early hours of morning).
That sounds really obvious, but think it through. That means this story has to appear above the fold on A1 in the biggest newspaper of the week, which means editors have to think very highly of this story. It will also need large and spectacular color photography, for the reasons just mentioned. From the point of view of most secular editors, Easter is also a much more explicitly RELIGIOUS season than, let’s say, Christmas. That’s a problem.
But back to the art issue.
Do you see the problem? How do you get large, spectacular Easter art when that art must be produced BEFORE the holy day itself? And what are most churches — liturgical churches, at least — doing in the days before Easter, when you need to shoot these photos? They are observing the rites of Maundy Thursday, Good Friday and Holy Saturday — beautiful, but solemn observances that, literally, offer visual images that are the exact opposite of what editors are going to want for that happy, happy Sunday A1 art.
In other words, it’s easier to report about Easter before Easter than it is to photograph Easter before Easter. You almost always end up with something that looks very fake and staged.
All of this is to say that I was rather surprised when I awakened from my post-Pascha (the Eastern Orthodox term for Easter) coma this morning (the service began at 11:30 p.m. and ended at 3 a.m., followed by a giant feast) and discovered that The Baltimore Sun had a produced a quite solid Pascha-Easter story for A1, a package that was way better than the norm.
The focus of the story was on the role of eggs in various Easter rites, but with the major emphasis on the beautiful “red eggs” tradition in Eastern Orthodoxy. The A1 art was a lovely picture of some children lighting beeswax candles at an icon stand on Holy Saturday, with lots of egg art inside the paper. This art was shot earlier in the week when the eggs were being dyed.
The story started with a general overview, before hitting the major themes:
Children pet bunnies and gobble jelly beans. Wal-Mart sells more than 500 types of Easter confection, including unicorn- and space alien-themed baskets. Just a few of them allude to Christianity.
How does eating a package of Peeps recall the man Christians believe redeemed the world by rising from the dead nearly 2,000 years ago? Balancing Easter’s secular and religious sides can be a challenge for area churches.
So you have your Catholic Easter egg hunts, symbolism-free Baptist services and mainline churches with hints of the ancient rites. Then: