It’s that time of year again, the time when reporters keep trying to reach author William Peter Blatty to talk about pea soup, noises in the night, long flights of stairs and the degree to which human necks can swivel.
Consider this one-liner, drawn from a much better than normal chat with the author just published in the Washington Post:
“As I say, every Halloween I’m dragged out of my burrow like some demonic Punxsutawney Phil,” says Blatty, a hale and hearty 85. “And if I don’t see my shadow, the horror box office is gonna be great. Either that or I’m dead. Nobody has had the guts — or the kindness — to tell me which it is.”
William Peter Blatty is not dead.
Now, this Post interview does have its snarky moments — hang on for its swipe at the legacy of the Blessed John Paul II — but I want to stress that the article at least attempted to take seriously the spiritual, even doctrinal, side of Blatty’s life and work. The sense of fairness breaks down when the Post team moves from a consideration of the themes Blatty wove into “The Exorcist” to his views of his alma mater, Georgetown University.
But first, God and the 40th anniversary of “The Exorcist.”
… Blatty will bear the cross of his mammoth success, which was fused long ago to the kitschy holiday by virtue of its terrifying imagery. Never mind, he says, that the story is more about the mystery and power of faith than the ultimate violation of a 12-year-old girl by evil forces. …
The cuffs on his denim jacket are flipped. Underneath his navy T-shirt is a silver medal etched with the three crosses of Calvary, where Jesus was crucified in the Gospels. The medal belonged to his son Peter, who died seven years ago. One reason “The Exorcist” has endured, Blatty thinks, is because it shows that the grave does not mean oblivion. That there is something after death.
“I’m not sure of what’s there,” he says, “but it isn’t oblivion.”
The story, as it must, quickly covers lots of ground in Hollywood and D.C. On one level this is a common tale, the story of the struggling screenwriter who suddenly finds a source of inspiration that saves his career and changes his life. In this case, we are talking about a comedy pro (best known for his work with director Blake Edwards) who, well, was inspired to spin his career in a totally different direction.