The Real History of Tarot

The Aces of the traditional Latin suits: Cups, Clubs, Swords, Coins.
These are used for all Italian-suited cards, not just Tarot.

Note: This is the second of a series which looks at the real history of Tarot. I do not deny that Tarot has occult connections which are seriously problematic for Catholics. We will get to all of it in time, but for now please be aware that this series is not about fortune telling, but about cultural history and gaming.

Tarot marks a fascinating convergence of medieval (and later Renaissance) art and symbolism, faith, folk culture, and gaming.

The Hermit from the Tarot de Marseille (15th century), one of the earliest decks

Our first verifiable glimpse of the cards in history is in Northern Italy in the early 15th century. When you understand this culture and time, the nature of the Tarot and its images becomes far less mysterious.

The life of the Church dominated the calendar with feasts and fasts. Local festivals were deeply imbued with religious meaning. Carnivals were simultaneously a time for fun and a time for devotion. Pageants reenacted Biblical stories in a festive atmosphere. Art, music, food, play, and worship mingled in different ways to create a vivid culture deep with meaning, but also capable great lightness and frivolity.

The notion of sacramentality has always been essential to the Catholic expression of faith. We understand everything through the lens of the incarnation. God took on flesh to ennoble it. Matter became a conduit for grace. The entire world is alive with meaning, and God can be understood (in a limited way and never entirely) through the things he created. We, then, become subcreators, giving back the glory to God that is rightly His through our art and expression.

This is what explains Catholic material culture, from cathedrals that were prayers in stone to music that lifted the soul to heaven. Folk culture also aspired to this kind of connection, and thus the stories, songs, games, plays, and art of the common man often merged the sacred and the profane. It uplifted the common, and provided a way to express faith in everyday life.

Card play was becoming more popular in Europe by the turn of the 14th century. Playing cards had their origin in China (where the cards were also the money used to bet), and came to Europe through contact with Islamic culture, probably some time after 1366. In works written in the 1360s, both Chaucer (England, in The Knight’s Tale and Book of the Duchess) and Petrarch (Italy, in De remediis utriusque fortunae) fail to mention cards among lists of other games. It isn’t until the 1370s that references to card games start to appear.

The Pope from the Tarot de Marseille

Among other documents referring to card play, we have a sermon by Dominican priest Johannes von Rheinfelden, who describes various games and the moral lessons they offered. One of the novelties he describes is pack of 52 cards used for trick-taking games. Trick-taking games were perhaps the most common form of card play. They usually had simple rules—cards played in turn, with high-card winning—with complex scoring mechanisms.

At some point—perhaps around the year 1425—someone created a deck that added a set of trumps to the standard four suits.This trump suit triumphed (“trumped”) over all other suits. The set included 21 cards illustrated with allegorical and theological images, with a “Fool” as a 22nd card to create a 78-card deck.

The remainder of each deck was comprised of 14 cards in four suits, using the larger royal court of King, Queen, Cavalier (Knight), and Fante (Jack). The order of the trumps varied from region to region, but in time the decks would become more standard and cards would be numbered one to twenty-one, with specific images for each value.

Since the cards developed in Italy, they used Latin regional suits of Swords, Cups, Batons, and Coins. Later, in France, they would adapt to common Franco-English suits of Hearts, Clubs, Diamonds, and Spades. This use of Latin suits is one of the things that gave Tarot decks their mystique in France, England, and America, but these suits are common.

Third trump of the French Ducale Tarot (19th century). Not the distinct lack of occult symbolism.

Developed in Milan, Ferrara, and Bologna Italy, the decks were known as “carte da trionfi”: “cards with triumphs,” also called Tarocco. (A fourth region—Florence—developed a 97-card deck for the game Minchiate, which has 40 trumps.) From Milan, the decks spread to the rest of Europe, becoming immensely popular until the invention of the occult connection caused their decline as gaming devices.

The earliest game that we know for sure was played with this deck is called Tarock.

By the time its way to France, it acquired a more familiar name: Tarot.

Next: The Fake History of Tarot

NOTE: I would urge people who are inclined to be irritated by this piece–both Catholics who think Tarot are nothing but evil and Tarot users who find pleasure in the cards–to wait until the end of the series before rendering any judgement. We have a long way to go through the following posts:

  • Reclaiming Tarot
  • The Real History of Tarot
  • The Fake History of Tarot
  • The Bishop’s Dice Game
  • The Meaning of the Cards
  • Playing Tarot

About Thomas L. McDonald

Thomas L. McDonald writes about technology, theology, history, games, and shiny things. Details of his rather uneventful life as a professional writer and magazine editor can be found in the About tab.

  • http://www.parafool.com/ victor

    I seriously feel like I should be paying money to read this series.

  • http://www.godandthemachine.com/ Thomas L. McDonald

    Who’s stopping you?

    Anyway, Games readers are paying $5, and they don’t get the Catholish stuff.

  • Patricia Boutilier

    I am enjoying your discussion of the Tarot. I frequently use the Tarot as inspiration for writing, and as an insight into my own psyche—not strictly divination. Your discussion is thought-provoking and well-researched. Happy Fourth!


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