About Tania Runyan

Interview with a Zombie


Halloween costumes and decorations. If I’m a vampire, Pinterest is my garlic. Not only do I cut and paste at a first-grade level but tolerate little more than a basic jack-o-lantern or paper bat in my house.

But come September, neighborhood front yards become graveyards. Styrofoam headstones with epitaphs like “I.M. Dead” and “Bone Voyage” litter the leaf-strewn lawns. In the more high-achieving displays, bony hands, and sometimes even bright rubber intestines, work their way out of the soil.

Your more conservative Christian is often exhorted to avoid this kind of thing. Churches replace Halloween parties with “harvest festivals.” Some parents even forbid their kids from wearing costumes or trick-or-treating. I’m far from fundamentalist, but I tire of the two-month long (if you go by Wal-Mart’s shelves) celebration of death and decay. Last year I had to drive by all that tacky gore while my good friend was withering away to cancer. I resented the daily, macabre assault.

But there’s something different about Fright Fest at Six Flags Great America, the amusement park fifteen minutes from my home. Yes, the decorations push the icky limits, but the “scare-actors”–the zombies, clowns, and werewolves who roam the park from 6 p.m. to closing—have lurched their way into my heart. [Read more…]

The Day My Daughter Found Herself

track-by-dean-hochman-on-flickrI want you to watch me run.

My daughter Becca sent me that text last Friday morning, just a couple hours into her first “24-Hour Challenge.” For weeks she’d been anticipating the annual event at her middle school, during which students run ten miles in half-mile installments around the track, breaking to sleep (or at least pretend to) in tents overnight before finishing in the morning. A major community event, the fields come alive with loud music, tents decked out with posters and lights, colorful signed shirts, and best friends walking arm in arm as they warm-up every forty minutes to run.

Mom. She texted me again. Are you coming soon?

I’d just come off of two sleepless nights, once again beset by conflict created by my own lack of interpersonal discernment. Questions wrestled in my gut: How do I help people mend their destructive lives without destroying my own? Is it possible to love wholly and purely without risking pain? I started to think I’m not cut out for fellowship. Maybe I need to stay away from everyone, I thought, except for my own family. [Read more…]

Unfriending, Impractical Jokes, and Other Foibles

facebook unsplach CC Zero pic by William Iven_editIf I were to graph my mental health over the past five years, the line might resemble a stegosaurus spine with several points and plunges, that, thanks be to God, climb overall to a place of greater acceptance and peace.

But damn, do those jagged edges hurt.

Over the past couple of months, hormones, summer sleeplessness, and the stress of starting a new business have joined forces to throw a deranged dance party in my brain. I’ve felt more vulnerable than usual, especially surrounding the perceptions of others—my go-to place of desolation.

In sum: Does this person like me? If not, why not? And what can I do to fix it?

Suppose someone unfriends me on Facebook. The adrenaline of anxiety kicks in as I quickly review my statuses and develop theories. In one case, I convinced myself that someone deleted me for posting pictures of a local parade. Although I reveled in my town’s annual event, a highlight of the summer, I wondered if my friend thought I was mocking it. [Read more…]

Sitting Together: A Week at the Glen Workshop

14066373_10206865453981792_9089818213749029625_oI’m an introvert who loves to talk, an often confusing combination that can leave me drained in spite of myself, or perplex my friends when I suddenly slink off after an hour of raucous guffawing.

But I just spent a week in Santa Fe at the Glen Workshop, a gathering of writers, artists, and musicians who meet at St. John’s College every summer to hone their craft, eat and worship together, and listen to some of the world’s most inspiring creative people share their work. And it was there that I experienced several moments of healing and energizing silence.

Coming of age in evangelicalism, I heard Jesus’s words, “where two or three are gathered in my name, there am I among them,” quite a bit. But those words often evoked images of Bible studies, group prayer, worship services, or other intentional, structured activities designed to move me from point A to point B on the spiritual growth chart.

It never occurred to me then, that sometimes just sitting together can fill us with the Holy Spirit more than a flashy program. [Read more…]

Poetry Friday: “Onesimus”

onesimus2In this month of painful national and international news, Tania Runyan’s poem “Onesimus” offers a gut-deep breath of brotherhood. The poem recounts the story of Philemon, a new Christian Paul addresses on behalf of Onesimus, both Philemon’s fugitive slave and also a new convert. In “Onesimus,” Runyan singles out, perhaps, the most marginalized and voiceless in the ancient Greco-Roman world: the slave. Allowing him to directly address Philemon in a voice as ridged with humanity as a fingerprint, Onesimus focuses on images that establish the paradox the poem builds on. Gnashing lions who love “blood sweet with freedom’s fleeting breath,” flesh-splitting lashings, and even a branding are all, within the context of the narrative, lawful punishments for Onesimus’s failed escape. But the poem uses the raw imagery not to merely implicate Onesimus but to tether the reader to Onesimus’s plight much the way it tethers Onesimus to Philemon. In the last lines, the poem completes its shift from Onesimus’s plight and toward his humanity in his use of the powerful and symbolic “I am.” Onesimus cannot escape Philemon nor can Philemon escape Onesimus—either his suffering or his humanity. This revelation lodges itself into both the reader’s chest and into Philemon’s life to “pump forgiveness and prayer through your veins /…make you / see Christ in every jangling harlot….” It’s the image of both men being bound to one another that moves the poem toward a radical brotherhood that makes them both equally “a slave to God’s bidding.”   

-Jill Reid [Read more…]