By Richard Cole
Continued from yesterday.
When Weinman completed her fellowship in Europe, she came back to the U.S., where she began a new life that included marriage, the birth of two daughters, and a new chapter in her pilgrim faith.
“I think I’m a Christian, but I don’t know how to do it.” This was how she approached an Episcopal priest in her neighborhood, looking for spiritual direction. Although he was on the point of retirement, he agreed to meet with her once a week, and for the next year, they discussed Christian teachings and the Bible.
During this period, she created “Study for Christ,” a charcoal and conté crayon drawing of a young, muscular man with close-cropped hair. “I drew Jesus as kind of a tough guy, but that was alright, because that’s what I needed in this very uncertain world.”
The drawing marked a turning point in both her art and faith. “By drawing Jesus, I came into relationship with Jesus,” she says, acknowledging that, in many ways, she was no longer the artist who had painted the suffering saints.
“It’s weird to look back at the person I was then, how angry and resentful. I used those images to gain attention but also to illustrate their suffering. The paintings were dark, and I thought that a painting could redeem suffering, and that was noble. But now I began to shed that person.” [Read more...]