The Wounds of Resurrection

Doubting ThomasAs my husband prepared for an Easter sermon a few weeks ago, our dinnertime conversations during Lent turned to Jesus’s appearance to the disciples after his resurrection, to the episode where poor Thomas is saddled with his unfortunate moniker. Carravaggio painted a terribly potent picture of Thomas probing Jesus’s wounds, his lord’s flesh curving over the doubter’s finger.

With its emphasis on suffering, broken bodies, deprivation, and wounds, Lent’s focus isn’t far from the realities since my father’s cancer diagnosis a year ago: surgery, chemotherapy, radiation, the failure of his natural killer cells.

When you have a loved one with cancer, you enter the cloud of unknowing, or perhaps it’s a club of unknowing, a society of those wedged in the grief and emotional confusion that a non-linear illness brings to all who are involved. In this club you might become more familiar with the less famed side effects of chemo like neuropathy and a sensitivity to hot or cold, with the comments people make in an effort at sympathy, or with the ebb and flow of sadness, guilt, and normal life.

Lent puts us in mind of those wounds and scars, of bodies failing, of death. But when Easter comes, and we celebrate resurrection, it sometimes feels like those wounds are mended too quickly. Or perhaps they were never really healed. [Read more…]

Charles of the Desert

By Rebecca A. Spears

charles-of-the-desert-a-life-in-verse-5One early June, traveling to a wedding in San Diego, I’d taken the long way from Dallas by train. I wanted to see the Southwestern deserts. Two days later Amtrak’s Sunset Limited broke down in the Mojave Desert.

Pretty quickly it became clear: We are not so great. Nature is. God is.

Perhaps this is one reason why Charles de Foucauld went to live in the Sahara: not only to offer the people there hospitality and love as Jesus had, but also as a way to empty himself of the temptations of civilized life, allowing himself to be humbled by the vast universe.

The Christian hermit and martyr Charles of the Desert (1858-1916) is a complex, puzzling character. William Kelley Woolfitt’s new book of poems Charles of the Desert develops a full portrait of this mystifying cleric from childhood in 1863 to his last day in Algeria’s Hoggar Mountains. The poems, written in first person, proceed on a timeline, zigzagging geographically from France to the Holy Land to Algeria.

For over a decade, Père Charles lived a stringent life in the Sahara, a life that would kill most of us. He lived and worked among the Tuaregs, who saw him at best as an eccentric, at worst as an enemy. In 1916, he was assassinated by rebels attempting to rob and kidnap him. He left to the world a four-volume dictionary of the Tuareg language, a new order—the Little Brothers and Little Sisters of Jesus—and a public fascination for his austere life among the Muslims, whom he hadn’t been able to convert. [Read more…]

A Strange Season for Inter-Christian Families

3438325081_caa9a19ee1_oAmerican culture, at this late and plural hour, seems to have pretty well normalized the notion of the interfaith family, to the extent that if your environs are urban and/or coastal, and your circles revolve around the ranks of top- and second-tier universities, then the multiple-faith union is almost a given, and certainly not a problem.

There’s now the cliché—which the Mark Zuckerberg biopic The Social Network made a joke about—of Jewish boys and Chinese (Baptist? Confucian?) girls. There’s another pattern, mostly in my experience in the Northeast, of Jewish young adults finding their bashert among a certain kind of generationally-sanded, now-affluent Irish Catholic (cf. Caroline Kennedy and Ed Schlossberg, to cite another generation).

Families that truly number two (or more) faiths have a kind of flexibility that can seem infinitely elastic: The Christmas tree gets rechristened into a “Chanukah bush”—with attendant blue-and-silver tinsel and a Star of David on top—a trope that comes in for annual December scorn among both my Jewish and Christian friends. (Except for those evangelicals of my acquaintance who avow a special relationship with the state of Israel.) [Read more…]

A Rabbi, a Priest, and a Wedding: Part 1

By Danielle Leshaw

JudaismFather Bill offered a set of instructions. “Walk beside me, never on my left, but always on my right.”

I nodded.

“And we’re walking towards Jesus.” He pointed across the church. “Shall we practice?”

“Yes, please,” I answered.

We processed up the aisle, an elderly priest and a young, female rabbi. I matched his steps. His brown frock went swish-swish while the long, braided belt knocked against his knees. It was a long path, from the entrance doors of the church up the aisle to the ornate dais. This gave me time to look around. The Stations of the Cross were divided up around the big room, white pedestals with hammered copper sculptures of Jesus during his final moments. It was a sunny morning. The skylights streamed light beams. Every Jesus, big or small, hanging or standing or crouching or sitting, was illuminated. And as if by divine command, there were little specs of glitter dust in each ray of light. [Read more…]

A Space Program

2spaceprogramcvrThe tenth item on a list entitled “How to Watch This Film,” which accompanies Tom Sachs’ A Space Program, says that the film is “a love letter to the analog era.”

That obsession with all things handmade and non-digital was obvious as I watched the film—even though I was sitting on my couch, streaming a digital screener on my iPhone and beaming it over WiFi to my Apple TV, which is about the least analog thing a person can do.

But Sachs loves this stuff. He’s a sculptor, sort of—playing with all kinds of things from the natural and human-made world to form whimsical new objects, like boomboxes and in this case, fake planets and massive mission control centers and even the credits roll for the film, which looks like it’s rolling by on taped-together black construction paper. [Read more…]


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