Arts and Faith Top 10 Films of 2016: Part 2 

Top 10 Banner Part 2Continued from yesterday. [Link to yesterday’s post here]

Here are the remaining five films in the Art and Faith Ecumenical Jury’s top ten films of 2016 list, as well as Honorable Mentions selected by each jury member:
 

5. Knight of Cups (Terrence Malick)

Knight of Cups is as pure cine-poetry as it is still being released in theatres. Here we’re witness to a cold, sterile beauty, filled with wide-open spaces in L.A. bursting at the seams with negative space. The people who inhabit those spaces may as well be ghosts, ceasing to exist as soon as we glide past them, hovering on the periphery of Rick’s (Christian Bale) sphere of consciousness.

The film unfurls around Rick, a rich and famous screenwriter, in an existential struggle for him to come to terms with meaning in his life, shambling along like Christian in The Pilgrim’s Progress. Presented with Malick’s typical beauty, the film is incredibly rich, from using recurring visual motifs as grace notes and alliteration, to its symphonic swell that seems as if the film has tapped into the same sensory majesty of music.

The film plumbs the depths of Christian despair and hope, wrapped up in an all-encompassing personal story told without affect or confines of contemporary cinema.

—Josh Hamm, Cut Print Film


 

4. Hail, Caesar! (Joel and Ethan Coen)

There were several movies about Jesus in 2016, each of which tapped into a different genre—the detective work of Risen, the family road trip of The Young Messiah, the spiritual drama of Last Days in the Desert, the epic action of the Ben-Hur remake—but the first and arguably most interesting of the lot was this delightful send-up of 1950s Hollywood, which not only paid homage to a wide range of genres itself (musicals, Westerns, romances, and of course biblical epics) but raised fascinating questions about politics, theology, and the intersection thereof.

The scene where a studio chief asks a Catholic priest, an Orthodox patriarch, a Protestant minister and a Jewish rabbi if his film’s depiction of Jesus “cuts the mustard” is as amusing as it sounds—and it is also one of the most surprisingly theological moments in any movie put out by a mainstream Hollywood studio this year.

—Peter T. Chattaway, FilmChat [Read more…]

Winners: Arts & Faith Ecumenical Jury Film Awards for 2015, Part 1

By Kenneth R. Morefield

The 2015 Arts & Faith Ecumenical Jury Film Awards had a decidedly international flavor. Six of ten films recognized by the Image-sponsored discussion forum were foreign-language films, including the top three entrants.

Perhaps because of that international flavor, this year’s list of films specifically recommended for Christian audiences looked beyond representations of Christianity and included an Israeli film about a Jewish divorce trial, an historical drama set in seventh-century China, and three films set in contemporary states ruled by Islam.

Two films looked back on American history, showing the positive impact of the Roman Catholic Church on one community and the devastatingly painful impact some of its adherents and administrators had on another.

This marked the second year that an animated film received recognition, with Pixar’s Inside Out receiving a spot on the jury’s short list. [Read more…]