Where do literary geniuses come from? Or should the question be: Where does literary genius come from? Does genius live only in certain persons or can even a mediocre writer get a humble share? These questions are agitating certain sectors of American letters.
“No more appeals to the inexplicable nature of genius,” observe the editors in a recent issue of n + 1. “Poets now are music makers, not mythmakers,” laments Mark Edmundson, in a recent essay for Harper’s.
The n + 1 editorial is titled “Too Much Sociology,” and wrestles with the ambiguous legacy of the French sociologist Pierre Bourdieu who, in thick books with commanding titles like Distinction and The Rules of Art, developed a “sociology of taste” that attempted to map out the ways in which class and social standing determine artistic taste and creation.
His project was meant to be subversive, not merely descriptive; Bourdieu was a Marxist. And yet, decades hence, it seems as if those very same capitalist bourgeois forces that Bourdieu wished to subvert have adapted to his critique and even harnessed its power. [Read more…]