If a pair of writer/directors exists that can rival Joel and Ethan Coen for a body of work with profound depictions of humanity, it is another set of brothers. The films of the Dardennes, Jean-Pierre and Luc, have consistently been among the best of modern offerings and were a main feature in an essay I wrote on European film for Image a few years back (“Portraits of the Sonata: Desire and Transformation in Modern European Cinema,” No. 61, Spring 2009).
La Promesse, L’Enfant, and especially Le Fils, match any expectations one could have with regard to artistic portrayals of humanity’s struggle for decency and dignity, and one of the Dardennes’ latest works, Deux Jours, Une Nuit (Two Days, One Night) proves that their touch has not waned in the thirty-odd years they’ve written and directed for the screen.
The film features the magnificent Marion Cotillard. In an Oscar-nominated performance, she plays Sandra, a Belgian mother of two children who has just learned that while she was absent, her employer offered her co-workers a choice: they could either have a one thousand euro bonus, or Sandra could keep her job. [Read more...]