A Good Fight: Deux Jours, Une Nuit (Two Days, One Night)

Two_days,_one_nightIf a pair of writer/directors exists that can rival Joel and Ethan Coen for a body of work with profound depictions of humanity, it is another set of brothers. The films of the Dardennes, Jean-Pierre and Luc, have consistently been among the best of modern offerings and were a main feature in an essay I wrote on European film for Image a few years back (“Portraits of the Sonata: Desire and Transformation in Modern European Cinema,” No. 61, Spring 2009).

La PromesseL’Enfant, and especially Le Fils, match any expectations one could have with regard to artistic portrayals of humanity’s struggle for decency and dignity, and one of the Dardennes’ latest works, Deux Jours, Une Nuit (Two Days, One Night) proves that their touch has not waned in the thirty-odd years they’ve written and directed for the screen.

The film features the magnificent Marion Cotillard. In an Oscar-nominated performance, she plays Sandra, a Belgian mother of two children who has just learned that while she was absent, her employer offered her co-workers a choice: they could either have a one thousand euro bonus, or Sandra could keep her job. [Read more...]

The Arts and Faith Top 25 Films on Memory

By Ryan Holt

RASHOMONFor me, there is no more acute reminder of the passing of time than the Academy Awards’ “In Memoriam” montage. Every year, as I watch the parade of faces and names that will never again illuminate the screen, it’s a reminder of the fragility and brevity of life. Even the great icons are inevitably absorbed by the past.

Cinema, after all, is a kind of collective memory. Films are both time capsules, preserving the original period of their release, and a collection of thoughts and ideas that extend from the artists and craftsmen that lived in its time.

Thus, the Arts & Faith Top 25 Films on Memory is an exercise in commemoration. It is an attempt by Image’s Arts & Faith online community to celebrate and examine the unique ability of cinema to speak to the theme of memory. [Read more...]

Childhood Cinema Redux

3460Over our recent winter break, my husband and I introduced our two older kids to some comedies from our youth. The criteria were simple: streamable through Netflix, not too much bloodshed or T&A, and shorter than, say, 100 minutes.

Revisiting a childhood movie as an adult can be a disarming experience. I never understood all the fuss about A Christmas Story, for example, until I watched it as a parent. I screamed with laughter when the mom shut little Randy in the cabinet with his milk—not because it shocked me but because it could very well happen in our house.

We began this mini-festival with Bill and Ted’s Excellent Adventure (1989). (Hey, it was sitting there most bodaciously for the taking.) It made me laugh as a teen and made me laugh now, especially Ted’s observation that “strange things are afoot at the Circle K.”

[Read more...]

Arts & Faith Ecumenical Jury Awards: The Top Ten Films of 2014

Guest post by Kenneth R. Morefield

In my post announcing the formation of the Arts & Faith Ecumenical Jury, I stated that I hoped we would “enlarge or expand the perception of what is meant by either labeling a film a ‘Christian’ film or suggesting that it should be of interest to Christian audiences.”

I’d say we did that. [Read more...]

Christmas Past

20131222-200619.jpg I once watched a boy steal all my Christmas presents. I lay on my stomach and stared through a sweaty blur as he grabbed my box-full of gifts and scampered into the woods. I did not chase him; propped on one elbow staring as he ran, I did not even rise from my stomach. The presents were gone.

When Saddam Hussein invaded Kuwait on August 2, 1990, I was camped out with my Marine unit in the woods at Cheat Lake, West Virginia, where we were setting 300 pounds of C-4 to blow a bridge. Four months later, I was camped off Green Beach, near Subic Bay, Philippines, training for desert warfare in the dense jungle—by Marine Corps logic it makes sense—on our way to Iraq.

[Read more...]