At the beginning of Alice McDermott’s latest novel, Someone, an unattractive but good-natured girl divulges her deepest desire. One day, coming home on the subway, she fell against a man—someone who managed to catch her—an event that was memorable because he was kind in the way that he did it. It’s clear that in that short moment she comes to love him, as we are fully capable of doing with strangers—even those who will always remain strangers.
She does not see the man again, but that does not stop her from looking. Laughing at her own foolishness, she says that she finds herself watching for him—subway ride after ride—in hopes of another such encounter. If it ever happened again, this time she would fall against him on purpose, to be caught by design. Because the best thing she has known in life so far has been the very fact that she was caught, and that someone was kind to her in the act of doing so.
This character, richly drawn, makes her appearance early in the novel, and like the man she hopes to encounter but never will, evanesces from the story within a few short pages. But the impression that she makes upon the narrator, Mary—a child when she first hears the story—lasts throughout the balance of the work. The rest of Mary’s life is marked by the relation of this yearning—that there be someone there when she, and those she loves, invariably, ineluctably, inescapably, fall.