By Asher Gelzer-Govatos
In many respects the new film Florence Foster Jenkins takes a paint by numbers approach to its genre—the classic biopic. It features a meaty role for a star (Meryl Streep), designed to play well to Oscar voters in the next awards cycle. It gets a lot of mileage—comic and dramatic—out of contemporary differences with its chosen time period (1940s New York). And of course it follows a well-worn dramatic arc: historical figure faces personal and professional tragedy, falls to a low point, then overcomes through the power of the human spirit.
In one very important respect, however, Florence Foster Jenkins stands out: its choice of subject. Unlike the typical biopic the film does not focus on someone of extraordinary ability or historical significance. Instead it examines the final days of a woman more notorious than famous. [Read more…]