Joseph Epstein is perhaps America’s most well-known familiar essayist, and I’ve read all of his books — unless I’ve not heard of one or two. Not that it matters except for this: I speak from experience when I say he may be America’s best familiar essayist. The competition, quite frankly, is not intense because there are simply not many platforms in the publishing world where an essayist can find a place to stand at the dais. Epstein found it and then expanded his audience at The American Scholar. When he was pushed from behind the dais and they handed it over to Anne Faddiman, I was less interested in the magazine, and then they pushed her aside and the thing just fell apart (for me at least). I cancelled my subscription and have not looked back.
Which may just say that I prefer my essayists to write like Epstein. I don’t read much friction, as some have called the game of making things up into a meaningful tale. But I do read Epstein’s jaunty short stories, the last of which was a collection called The Love Song of A. Jerome Minkoff: And Other Stories. He writes about the realities and ironies of Jewish men mostly, and he also writes straight scoop about Chicago. His stories don’t grab but they do keep the reader.



































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