“Learning not to white-knuckle everything”

No Depression posts notes on the new Over the Rhine album:

“With The Long Surrender, our vision was to make a record we couldn’t imagine in advance,” says Detweiler. “We wanted to be surprised. We wanted to remain open, let the record unfold in real time. Fortunately, Joe loves to be surprised as well.”

The album’s title “speaks to our ongoing desire to let go of certain expectations — and much of what we are convinced we know for sure — in favor of remaining open and curious,” Bergquist explains. “It seems like so many of our friends are currently wrestling with various forms of ‘letting go,’ so hopefully the ideas conjured by the title feel somewhat universal. And I think the title speaks to the arc of a lifetime commitment to writing and performing regardless of recognition. Learning when to work and when to let go. Learning to leave room for grace to billow our sails occasionally. Learning not to white-knuckle everything.”

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About Jeffrey Overstreet

Jeffrey Overstreet is the author of a “memoir of dangerous moviegoing” called Through a Screen Darkly, and a four-volume series of fantasy novels called The Auralia Thread, which includes Auralia’s Colors, Cyndere’s Midnight, Raven’s Ladder, and The Ale Boy’s Feast. Jeffrey is a contributing editor for Seattle Pacific University’s Response magazine, and he writes about art, faith, and culture for Image, Filmwell, and his own website, LookingCloser.org. His work has also appeared in Paste, Relevant, Books and Culture, and Christianity Today (where he was a film columnist and critic for almost a decade). He lives in Shoreline, Washington. Visit him on Facebook at facebook.com/jeffreyoverstreethq.


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