“Learning not to white-knuckle everything”

No Depression posts notes on the new Over the Rhine album:

“With The Long Surrender, our vision was to make a record we couldn’t imagine in advance,” says Detweiler. “We wanted to be surprised. We wanted to remain open, let the record unfold in real time. Fortunately, Joe loves to be surprised as well.”

The album’s title “speaks to our ongoing desire to let go of certain expectations — and much of what we are convinced we know for sure — in favor of remaining open and curious,” Bergquist explains. “It seems like so many of our friends are currently wrestling with various forms of ‘letting go,’ so hopefully the ideas conjured by the title feel somewhat universal. And I think the title speaks to the arc of a lifetime commitment to writing and performing regardless of recognition. Learning when to work and when to let go. Learning to leave room for grace to billow our sails occasionally. Learning not to white-knuckle everything.”

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About Jeffrey Overstreet

Jeffrey Overstreet has two passions: writing fiction, and celebrating art — music, cinema, photography, literature — through writing and teaching. He is the author of a “memoir of dangerous moviegoing” — Through a Screen Darkly. And his four-novel fantasy series, The Auralia Thread, which begins with Auralia's Colors, was published by Random House. He speaks at universities and conferences around the world about understanding art through eyes of faith. He is earning his MFA in Creative Writing at Seattle Pacific University, where he has worked for 11 years as an editor, writer, and communications project manager. His work has been recognized in The New Yorker, TIME, The Seattle Times, IMAGE, Ravi Zacharias International — and Christianity Today, where he served as a film journalist for more than a decade. He recently began a weekly column called "Listening Closer" for Christ and Pop Culture.


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