“Only a Lover Can Be a Critic.”

Growing up, I loved Siskel & Ebert & The Movies, because unlike the entertainment reporters and talk-show hosts that aired earlier in the day, Siskel and Ebert talked about films. They weren’t concerned with gossip or awards or politics. They focused on movies, pure and simple. They argued a film’s merits and deficiencies. They praised good stories and lambasted bad ones. They knew what they liked and didn’t like, and they had the ability to explain why. From Siskel and Ebert, I began to learn the language of film criticism, but more than that, I began to learn how to better love films.

Only a lover can be a critic.

Elijah Davidson is talking about the question that will direct our discussions at the upcoming Reel Spirituality event: Is film criticism dead?

The question has been coming up a lot lately. That’s why I wrote a “Letter to a Young Film Critic,” which is available in the new issue of Comment magazine. Order your copy here.

  • Facebook
About Jeffrey Overstreet

Jeffrey Overstreet is the author of a “memoir of dangerous moviegoing” called Through a Screen Darkly, and a four-volume series of fantasy novels called The Auralia Thread, which includes Auralia’s Colors, Cyndere’s Midnight, Raven’s Ladder, and The Ale Boy’s Feast. Jeffrey is a contributing editor for Seattle Pacific University’s Response magazine, and he writes about art, faith, and culture for Image, Filmwell, and his own website, LookingCloser.org. His work has also appeared in Paste, Relevant, Books and Culture, and Christianity Today (where he was a film columnist and critic for almost a decade). He lives in Shoreline, Washington. Visit him on Facebook at facebook.com/jeffreyoverstreethq.


CLOSE | X

HIDE | X