"It is competent and sufficient, and … that’s what’s truly, dismayingly disappointing about it."

Here’s an excerpt from a thorough, excellent review of Gary Ross’s The Hunger Games by Roderick Heath:

“If I’m sounding a little jaded about Collins’ creation, which I enjoyed reading, it’s because the more I thought about The Hunger Games, the less and less satisfied I was. It’s a novel that carefully sets up a situation that is, by definition, a zone of moral nullification, and yet contrives to have our heroine emerge smelling like a rose without ever having to make a genuinely hard choice, in a tale that counts finally as neither effectively elemental nor symbolically rich, but rather as efficiently marketable…. Katniss remains such a clean-cut moral avatar for her audience, in high contrast to a hellish scenario, that its starts to feel somehow dishonest.”


Also, in case you missed it, here is my conversation with Hannah Faith Notess, poet and editor of Jesus Girls, about the book.

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About Jeffrey Overstreet

Jeffrey Overstreet has two passions: writing fiction, and celebrating art — music, cinema, photography, literature — through writing and teaching. He is the author of a “memoir of dangerous moviegoing” — Through a Screen Darkly. And his four-novel fantasy series, The Auralia Thread, which begins with Auralia's Colors, was published by Random House. He speaks at universities and conferences around the world about understanding art through eyes of faith. He is earning his MFA in Creative Writing at Seattle Pacific University, where he has worked for 11 years as an editor, writer, and communications project manager. His work has been recognized in The New Yorker, TIME, The Seattle Times, IMAGE, Ravi Zacharias International — and Christianity Today, where he served as a film journalist for more than a decade. He recently began a weekly column called "Listening Closer" for Christ and Pop Culture.


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