The most rebellious album I’ve heard all year.

Rebellion. It may be the single most distinctive characteristic of new music, generation after generation. From Chuck Berry to Michael Jackson, from the Rolling Stones to Nirvana, from Madonna to Lady Gaga, from Bob Dylan to Kanye West, each generation’s icons of pop, rock, and hip-hop plan to shake up the status quo with a rebel yell.

But the most rebellious thing I’ve ever heard a rock star say appeared in print in 2001. Robert Hilburn of The L.A. Times was interviewing Bono about why New Yorkers turned to U2 for inspiration after the attacks on America. Bono responded by talking about the anger that fuels most rock music. “Anger is simple. Any artist knows he can do it with a black brush. That’s what rock is at the moment. It’s an easy thing to do: painting in black.”

Then he added, “Joy is something else. It’s much harder to create because you are dealing with something much deeper and much more emotional. It’s a connection with the audience that borders on faith, believing in something together.”

Joy. Imagine that. To strive for joy may be the most rebellious act for any musician in this present environment of anger, attitude, and egomania.

I say all of this so you will understand why I cannot stop listening to …

…the second album from The Welcome Wagon — Precious Remedies Against Satan’s Devices.

Here’s my review.

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About Jeffrey Overstreet

Jeffrey Overstreet departed the Patheos network in order to escape click-bait advertisements that were offending him and his readers. He will re-launch Looking Closer at lookingcloser.org soon. He is the author of The Auralia Thread, a four-volume fantasy series that begins with Auralia's Colors, and a memoir of "dangerous moviegoing" called Through a Screen Darkly. He teaches creative writing and film studies; speaks internationally about art and faith; served as Writer-in-Residence at Covenant College; and is employed by Seattle Pacific University as a project manager, copyeditor, and writer.


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